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Welcome to
Four Corners Archive

 

Four Corners Archive explores and documents the film and photographic heritage of Four Corners, Half Moon Photography Workshop, and Camerawork Magazine, from 1972–1987.

Four Corners and Half Moon Photography Workshop (later Camerawork) were two innovative cultural organisations, based in East London. Their early work played a major role in the development of the radical film and photographic practice characteristic of the 1970s and early 1980s.

The project brings these unique archival resources into the public realm, making this important contribution to British cultural history widely accessible for the first time.

How to use the archive

You can search our archive in different ways and even save items to your lightbox to email the link for another day.

Use the sidebar to…

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   any articles relating to that theme

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Download our handy user manual for further functions.

Four Corners Archive is made possible through the generous support of the Heritage Lottery Fund and the Paul Mellon Centre for Studies in British Art.

 

 

Articles

Critical engagements with documentary photography

Image & representation
Frances Whorrall-Cambell


The subheading to Camerawork 8, a special issue on the ‘Battle of Lewisham’, proclaims: ‘What are you taking pictures for?’. Why photograph? was a central concern of Half Moon Photography Workshop. In many ways the ‘why’ was easy to answer (although, as this issue showed, the reasons were many): what was more difficult was the issue of who - who could be a photographer, and what being a photographer meant. 

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Latest

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Women's History Month Events

Our online talks series is exploring how photography archives can both document the past and inspire the present. 

We are back with a new programme for Women's History Month, bringing together a range of brilliant speakers to discuss feminist film and photography. 

 

This project is dedicated to the fond memory of Ed Barber (1949–2017), an important early member of the Half Moon Photography Workshop and Camerawork magazine, whose energy and enthusiasm helped create this project.