809 results
Meadows reflects on the success of the two women’s exhibitions as the start of Half Moon’s shift ...
Trevor discusses his photos of Brick Lane - then the most heavily policed area in the UK outside ...
Trevor discusses studying as an accountant before getting into photography -- and deliberately hi...
Trevor talks about meeting Julia Meadows & Ron McCormick while working at Half Moon.
Trevor discussing the 70s zeitgeist and political climate that allowed for Camerawork to thrive.
Kennard describes his HMPW laminated exhibition A Document on Chile
Kennard describes the power of Camerawork as a collective organisation that was able to operate n...
Kennard describes how his photomontage work was accepted within Camerawork / HMPW, despite this s...
Kennard describes the article that he produced for Camerawork magazine entitled State of the Nati...
Kennard describes his friendship with Ed Barber and how the idea of laminating the HMPW exhibitio...
Wilmer describes one of her jobs in the darkroom at National Gallery and then moving on to Tropic...
Wilmer talks about her travels to USA and how feminism and racial discrimination were part of her...
Wilmer discusses her involvement with Camerawork’s seminars, unpublished work for Camerawork Maga...
Wilmer reflects on Half Moon’s Women Photography exhibits and theory vs “going along” with repres...
Ewald describes her arrival in London and the beginnings of Half Moon gallery.
Ewald talks about the first exhibition at Half Moon and fundraising for the gallery.
Ewald talks about the hardship of bringing photography in the country when it was not yet recogni...
Ewald reflects on the importance of the Half Moon Gallery in her life, and compares and contrasts...
Photograph of the gallery during the preparation of the exhibition No Nuclear Weapons by Peter Ke...
Annual Report 1979-1980
