900 results
Black and white photograph of an exhibition private view
A black and white photograph of two members of Half Moon Photography Workshop preparing the exhib...
Steele-Perkins remembers the 1980s as a time when it was much easier to make money working as a p...
Steele-Perkins describes how he became involved in the project Survival Programmes with Paul Trev...
Plemper describes why he took to photographing his pupils as a young teacher.
Plemper explains his disillusion with teaching and his turn to photography as a series pursuit. H...
Plemper expands upon his approach to photographing his pupils at Riverside School, and considers ...
Plemper elaborates on the optimism of the 1970s. He considers the philosophy of the Half Moon Pho...
Meadows reflects on the success of the two women’s exhibitions as the start of Half Moon’s shift ...
Kennard describes his HMPW laminated exhibition A Document on Chile
Kennard describes the power of Camerawork as a collective organisation that was able to operate n...
Kennard describes how his photomontage work was accepted within Camerawork / HMPW, despite this s...
Kennard describes the article that he produced for Camerawork magazine entitled State of the Nati...
Kennard describes his friendship with Ed Barber and how the idea of laminating the HMPW exhibitio...
Wilmer talks about the two events in her life which influenced her to start using photography.
Wilmer describes one of her jobs in the darkroom at National Gallery and then moving on to Tropic...
Wilmer talks about her travels to USA and how feminism and racial discrimination were part of her...
