1201 results
Ewald talks about the hardship of bringing photography in the country when it was not yet recogni...
Ewald reflects on the importance of the Half Moon Gallery in her life, and compares and contrasts...
Wilmer describes one of her jobs in the darkroom at National Gallery and then moving on to Tropic...
Wilmer talks about her travels to USA and how feminism and racial discrimination were part of her...
Wilmer discusses her involvement with Camerawork’s seminars, unpublished work for Camerawork Maga...
Wilmer reflects on Half Moon’s Women Photography exhibits and theory vs “going along” with repres...
Amin describes his family’s migration to Britain in his teenage years from Bangladesh, his first ...
Amin describes the first camera he ever purchased and learned how to use in East London, and his ...
Amin describes working as an editor and learning at Four Corners’ workshops with Wilf Thust.
Amin reflects on his experiences as a young adult trying to break into filmmaking, and ultimately...
Amin describes the events leading up to and after the creation of his first film, Purbo London, w...
Amin describes attending Four Corners’ Practice & Processes under Wilf Thust, Jo Spence, and Paul...
Peck discussing his early work and at the London Film School.
Peck discusses the development of the film ‘Nighthawks’, Britain’s first feature film about the g...
Peck discussing meeting independent filmmakers and the process behind getting funding for Nightha...
Peck describing the evolution of Four Corners as a place where creative ‘things could happen’, an...
Peck discussing the pressure to create more ambitious and wider-ranging independent work against ...
Vaidyanathan describes growing up in Brick Lane and the limited options available to children fro...
Vaidyanathan talks about his desire to learn more about art and photography. He started going to ...
Vaidyanathan describes how first met Ruhul Amin and how he came to be involved in Amin’s film, A ...
