112 results
Kennard describes the power of Camerawork as a collective organisation that was able to operate n...
Kennard describes how his photomontage work was accepted within Camerawork / HMPW, despite this s...
Kennard describes the article that he produced for Camerawork magazine entitled State of the Nati...
Kennard describes his friendship with Ed Barber and how the idea of laminating the HMPW exhibitio...
Steele-Perkins remembers the 1980s as a time when it was much easier to make money working as a p...
Wilmer talks about the two events in her life which influenced her to start using photography.
Wilmer describes one of her jobs in the darkroom at National Gallery and then moving on to Tropic...
Wilmer talks about her travels to USA and how feminism and racial discrimination were part of her...
Wilmer discusses how she got her first major exhibition at the V&A in 1972.
Meadows explains how she became involved with the Half Moon Gallery (later Half Moon Photography ...
Wilmer describes the success of her first major exhibition at the V&A, her work for the Times as ...
Meadows describes some of the early exhibitions at Half Moon Gallery (later Half Moon Photography...
Meadows reflects upon the social commentaries made by exhibitions held at the Half Moon Gallery (...
Wilmer talks about the beginning of Format with Maggie Murray, a women’s picture agency
Meadows recalls the efforts Half Moon made to reduce the elitist stigma around photography as art...
Meadows discusses the origins, creative process and reception of Half Moon’s first Women’s exhibi...
Meadows reflects on the success of the two women’s exhibitions as the start of Half Moon’s shift ...
Wilmer discusses her involvement with Camerawork’s seminars, unpublished work for Camerawork Maga...
Meadows discusses the end of Allie Street, which signalled Camerawork’s move to Roman Road.
Wilmer reflects on Half Moon’s Women Photography exhibits and theory vs “going along” with repres...
