85 results
Kennard describes his HMPW laminated exhibition A Document on Chile
Kennard describes the power of Camerawork as a collective organisation that was able to operate n...
Kennard describes how his photomontage work was accepted within Camerawork / HMPW, despite this s...
Kennard describes the article that he produced for Camerawork magazine entitled State of the Nati...
Kennard describes his friendship with Ed Barber and how the idea of laminating the HMPW exhibitio...
Wilmer discusses her involvement with Camerawork’s seminars, unpublished work for Camerawork Maga...
Meadows discusses the end of Allie Street, which signalled Camerawork’s move to Roman Road.
Wilmer reflects on Half Moon’s Women Photography exhibits and theory vs “going along” with repres...
Slater reflects on his desire to work with Camerawork as a combination of his academic interests ...
Slater discussing how he found out about Camerawork after moving to North London, meeting Shirley...
Slater reflects on the makeup of Half Moon Photography Workshop and its orientation towards conte...
The election of Margaret Thatcher had a chilling effect on Camerawork and other arts organization...
Slater discussing Camerawork’s approaches to exhibiting work outside of a ‘fine art’ context, inc...
Slater discusses his current work and teachings with an eye towards how it relates to his time at...
Slater discusses the role of photography as a method to show truth and “bearing witness” in the c...
Pack discusses the prospect of photography being intertwined with Politics of Photography during ...
Pack explains how she got her first job at Half Moon.
Ewald describes her arrival in London and the beginnings of Half Moon gallery.
Ewald talks about the first exhibition at Half Moon and fundraising for the gallery.
Ewald discusses early exhibitions at Camerawork, along with her interest in different types of ph...
