1195 results
Amin describes the first camera he ever purchased and learned how to use in East London, and his ...
Amin describes working as an editor and learning at Four Corners’ workshops with Wilf Thust.
Amin reflects on his experiences as a young adult trying to break into filmmaking, and ultimately...
Amin describes the events leading up to and after the creation of his first film, Purbo London, w...
Amin describes meeting Channel 4’s Alan Fountain and being commissioned to write a script for a f...
Amin describes attending Four Corners’ Practice & Processes under Wilf Thust, Jo Spence, and Paul...
Slater reflects on his desire to work with Camerawork as a combination of his academic interests ...
Slater discussing how he found out about Camerawork after moving to North London, meeting Shirley...
Slater reflects on the makeup of Half Moon Photography Workshop and its orientation towards conte...
Slater discusses ’s internal debates regarding representing Politics of Photography and his impl...
Slater reflects on his “community photography” article for Camerawork and the magazine’s goal of ...
The election of Margaret Thatcher had a chilling effect on Camerawork and other arts organization...
Slater discusses his current work and teachings with an eye towards how it relates to his time at...
Slater discusses the role of photography as a method to show truth and “bearing witness” in the c...
Pack goes into detail on Camerawork Magazine's extraordinary format and printing process.
Pack reflects on an initiative with group of women who were published in Camerawork and later rep...
Ewald describes her arrival in London and the beginnings of Half Moon gallery.
Ewald talks about the first exhibition at Half Moon and fundraising for the gallery.
Ewald talks about the hardship of bringing photography in the country when it was not yet recogni...
Ewald reflects on the importance of the Half Moon Gallery in her life, and compares and contrasts...
