1273 results
Exhibition Text
Letter to Kate Bush from David Hevey
Meadows discusses the origins, creative process and reception of Half Moon’s first Women’s exhibi...
Meadows reflects on the success of the two women’s exhibitions as the start of Half Moon’s shift ...
Trevor discusses studying as an accountant before getting into photography -- and deliberately hi...
Trevor discussing the 70s zeitgeist and political climate that allowed for Camerawork to thrive.
Peck discussing his early work and at the London Film School.
Peck discusses the development of the film ‘Nighthawks’, Britain’s first feature film about the g...
Peck discussing meeting independent filmmakers and the process behind getting funding for Nightha...
Peck describing the evolution of Four Corners as a place where creative ‘things could happen’, an...
Peck discussing the pressure to create more ambitious and wider-ranging independent work against ...
Rhodes discussing the Circles cinema programme at the Four Corners and the importance of public s...
Rhodes on how Circles used to advertise women only screenings, and how that helped with the confi...
Wilmer describes one of her jobs in the darkroom at National Gallery and then moving on to Tropic...
Wilmer talks about her travels to USA and how feminism and racial discrimination were part of her...
Wilmer discusses her involvement with Camerawork’s seminars, unpublished work for Camerawork Maga...
Wilmer reflects on Half Moon’s Women Photography exhibits and theory vs “going along” with repres...
Amin describes his family’s migration to Britain in his teenage years from Bangladesh, his first ...
Amin describes the first camera he ever purchased and learned how to use in East London, and his ...
Amin describes working as an editor and learning at Four Corners’ workshops with Wilf Thust.
