214 results
Kennard describes his HMPW laminated exhibition A Document on Chile
Kennard describes the power of Camerawork as a collective organisation that was able to operate n...
Kennard describes how his photomontage work was accepted within Camerawork / HMPW, despite this s...
Kennard describes the article that he produced for Camerawork magazine entitled State of the Nati...
Kennard describes his friendship with Ed Barber and how the idea of laminating the HMPW exhibitio...
Vaidyanathan describes growing up in Brick Lane and the limited options available to children fro...
Vaidyanathan talks about his desire to learn more about art and photography. He started going to ...
Vaidyanathan describes how first met Ruhul Amin and how he came to be involved in Amin’s film, A ...
Vaidyanathan elaborates on his experience of working on the film.
Peck discussing his early work and at the London Film School.
Peck discusses the development of the film ‘Nighthawks’, Britain’s first feature film about the g...
Peck discussing meeting independent filmmakers and the process behind getting funding for Nightha...
Peck describing the evolution of Four Corners as a place where creative ‘things could happen’, an...
Peck discussing the pressure to create more ambitious and wider-ranging independent work against ...
Peck reflects on Four Corners' relationship with local people in Bethnal Green at the time.
Amin describes his family’s migration to Britain in his teenage years from Bangladesh, his first ...
Amin describes the first camera he ever purchased and learned how to use in East London, and his ...
Amin describes working as an editor and learning at Four Corners’ workshops with Wilf Thust.
Amin reflects on his experiences as a young adult trying to break into filmmaking, and ultimately...
Amin describes the events leading up to and after the creation of his first film, Purbo London, w...
