214 results
Slater reflects on his desire to work with Camerawork as a combination of his academic interests ...
Amin describes attending Four Corners’ Practice & Processes under Wilf Thust, Jo Spence, and Paul...
Amin describes meeting Channel 4’s Alan Fountain and being commissioned to write a script for a f...
Amin describes the events leading up to and after the creation of his first film, Purbo London, w...
Amin reflects on his experiences as a young adult trying to break into filmmaking, and ultimately...
Amin describes working as an editor and learning at Four Corners’ workshops with Wilf Thust.
Amin describes the first camera he ever purchased and learned how to use in East London, and his ...
Amin describes his family’s migration to Britain in his teenage years from Bangladesh, his first ...
Wilmer reflects on Half Moon’s Women Photography exhibits and theory vs “going along” with repres...
Meadows discusses the end of Allie Street, which signalled Camerawork’s move to Roman Road.
Wilmer discusses her involvement with Camerawork’s seminars, unpublished work for Camerawork Maga...
Meadows reflects on the success of the two women’s exhibitions as the start of Half Moon’s shift ...
Meadows discusses the origins, creative process and reception of Half Moon’s first Women’s exhibi...
Meadows recalls the efforts Half Moon made to reduce the elitist stigma around photography as art...
Wilmer talks about the beginning of Format with Maggie Murray, a women’s picture agency
Meadows reflects upon the social commentaries made by exhibitions held at the Half Moon Gallery (...
Meadows describes some of the early exhibitions at Half Moon Gallery (later Half Moon Photography...
Wilmer describes the success of her first major exhibition at the V&A, her work for the Times as ...
Meadows explains how she became involved with the Half Moon Gallery (later Half Moon Photography ...
Wilmer discusses how she got her first major exhibition at the V&A in 1972.
