Camerawork Magazine - Issue 07
Issue 7: Viva, Don McCullin and Philip Jones Griffiths, The Unpolitical Photograph?, Paris in the...'paris de nuit', 1930s, advertising, alain garnier, audience, bill brandt, brassai, capitalism, crime, criminal underworld, david seymour, don mccullin, economic depression, fascism, general strike, hardy, herve gloaguen, magnum, martine franck, marxism, mass media, philip jones griffiths, photography book, photojournalism, prostitutes, prostitution, publishers, robert capa, robert golden, roger mayne, self-publishing, side gallery, vietnam war, viva, war photography, yves joanmougin
Camerawork Magazine - Issue 08
Issue 8: Lewisham: What are you taking pictures for?battle of lewisham, chris schwarz, chris steele-perkins, church of england, daily mail, fascism, homer sykes, mass media, media bias, national front, national front march, newspapers, paul trevor, peter marlow, phil mccowen, photo agencies, police, police treatment of photographers, police violence, protest photography, racism, ray rising, socialist workers party, sygma, tabloid journalism, tabloids, viva
Camerawork Magazine - Issue 11
Issue 11: Mass Obervation, Humphrey Spender, Nigel Henderson, The Metropolitan Police Card, Inspe...'mass observation ltd.', 1930s, advertising, alternative technology, bolton worktown project, british surrealism, censorship, charles madge, collage, colonialism, consensus politics, consumer research, daily mirror, documentary, espionage, federal writers' project, graffiti, graham bell, great depression, humphrey jennings, humphrey spender, john ruskin, judith henderson, julian trevylan, mass observation (m.o.), met' cards, mike abrahams, ministry of information, n.u.j., national front, nigel henderson, paul nash, pop art, poverty, processing, propaganda, pubs, richard hoggart, social anthropology, social realism, social survey, the blitz, the centre for contemporary cultural studies, the new left, tom harrisson, worktown project (bolton), ww2
Camerawork Magazine - Issue 19
Issue 19: State of the Nation - E.P.Thompson, Photomontages by Peter Kennard, Edith Tudor-Hart - ...1930s, anthropology, apartheid, arts & action, arts council, blair peach, boycott, civil liberty, colonialism, community arts, context, cruise missile, cultural imperialism, dictatorship, geographical magazine, haywain, hayward gallery, historical interpretation, history, human rights, interpretation, jo spence, lilliput, margaret thatcher, marxist, meaning, mechanical reproduction, namibia, nato, observers of man, perspective, photography history, photomontage, police, police brutality, policie enquiry, political, representation, representation of women, rhondda valley, social role of women, stamp, surveillance, three perspectives on photography, women, women workers, workers' camera club, workers' film and photo league, working class wives, working in the 30's
Camerawork Magazine - Issue 24
Issue 24: Photography and Graphic Design1981, advertising, britain, charity, collage, collective, colonisation, control, cultural, elderly, empire, erotica, exploitation, feminist, feminist design, global issues, graphic design, hot pink heart graphics, identity, ideology, imperialism, india, interpretation, isolation, labour, liberation, magazine, mass production, Memory, montage, objectification, patriarchy, photography, photoworld exhibition, politics, pornography, positive, poster, poster film collective, poverty, print, printshop, propaganda, publicity, radical, recall, reminiscing, representation, reproduction, sexual politics, socialism, socialist, socialist worker party, spare rib, stereotypes, style, temporary hoarding, text and image, the people’s march for jobs, theory, trade unions, visual, women, women against violence against women, workers, workshop
Camerawork Magazine - Issue 31
Issue 31:Food: Images and Politics1984, a few hotheads, advertising, agriculture, archive, black audio film collective, body image, campaign, coal, colonial legacy, colonialism, colonies, community, consumption, control, desire, distribution, domination, easington, empire, ethnic, factory, farming, federation of community photography, fleet street, food, french, fruit preservers, guilt, gwent collage of higher education, history, import, indian, industrial dispute, industry, international women’s day, lipton, meat, middlesex, mining, naughty but nice, newport museum and art gallery, newport survey, orwell, packaging, photography course, photomontage, pleasure, political struggle, postcards, posters, preserves, production, racism, rural life, sexual violence, sexuality, signs of empire and images of nationality, slaughterhouse, socialist, sprouts, street market, strike, students, sugar, supermarket, tea, the commodities project, tondu photo workshop, tradition, vegetarian, weight, west midlands arts, women, women workers, working class, workshop, world