112 results
Slater reflects on his desire to work with Camerawork as a combination of his academic interests ...
Slater discussing how he found out about Camerawork after moving to North London, meeting Shirley...
Slater reflects on the makeup of Half Moon Photography Workshop and its orientation towards conte...
The election of Margaret Thatcher had a chilling effect on Camerawork and other arts organization...
Slater discussing Camerawork’s approaches to exhibiting work outside of a ‘fine art’ context, inc...
Slater discusses his current work and teachings with an eye towards how it relates to his time at...
Slater discusses the role of photography as a method to show truth and “bearing witness” in the c...
Plemper describes why he took to photographing his pupils as a young teacher.
Plemper explains his disillusion with teaching and his turn to photography as a series pursuit. H...
Plemper expands upon his approach to photographing his pupils at Riverside School, and considers ...
Plemper elaborates on the optimism of the 1970s. He considers the philosophy of the Half Moon Pho...
Pack discusses the prospect of photography being intertwined with Politics of Photography during ...
Pack explains how she got her first job at Half Moon.
Meadows explains how she became involved with the Half Moon Gallery (later Half Moon Photography ...
Meadows describes some of the early exhibitions at Half Moon Gallery (later Half Moon Photography...
Meadows reflects upon the social commentaries made by exhibitions held at the Half Moon Gallery (...
Meadows recalls the efforts Half Moon made to reduce the elitist stigma around photography as art...
Meadows discusses the origins, creative process and reception of Half Moon’s first Women’s exhibi...
Meadows reflects on the success of the two women’s exhibitions as the start of Half Moon’s shift ...
Meadows discusses the end of Allie Street, which signalled Camerawork’s move to Roman Road.
