82 results
Kennard describes his HMPW laminated exhibition A Document on Chile
Kennard describes the power of Camerawork as a collective organisation that was able to operate n...
Kennard describes how his photomontage work was accepted within Camerawork / HMPW, despite this s...
Kennard describes the article that he produced for Camerawork magazine entitled State of the Nati...
Kennard describes his friendship with Ed Barber and how the idea of laminating the HMPW exhibitio...
Trevor discusses his photos of Brick Lane - then the most heavily policed area in the UK outside ...
Trevor discusses studying as an accountant before getting into photography -- and deliberately hi...
Trevor talks about meeting Julia Meadows & Ron McCormick while working at Half Moon.
Trevor describing his involvement with the Half Moon Gallery & Workshop, volunteering for 8 years.
Trevor discussing the 70s zeitgeist and political climate that allowed for Camerawork to thrive.
Meadows explains how she became involved with the Half Moon Gallery (later Half Moon Photography ...
Meadows describes some of the early exhibitions at Half Moon Gallery (later Half Moon Photography...
Meadows reflects upon the social commentaries made by exhibitions held at the Half Moon Gallery (...
Meadows recalls the efforts Half Moon made to reduce the elitist stigma around photography as art...
Meadows discusses the origins, creative process and reception of Half Moon’s first Women’s exhibi...
Meadows reflects on the success of the two women’s exhibitions as the start of Half Moon’s shift ...
Meadows discusses the end of Allie Street, which signalled Camerawork’s move to Roman Road.
Pack discusses the prospect of photography being intertwined with Politics of Photography during ...
Pack explains how she got her first job at Half Moon.
Plemper describes why he took to photographing his pupils as a young teacher.
