112 results
Pack explains how she got her first job at Half Moon.
Plemper describes why he took to photographing his pupils as a young teacher.
Plemper explains his disillusion with teaching and his turn to photography as a series pursuit. H...
Plemper expands upon his approach to photographing his pupils at Riverside School, and considers ...
Plemper elaborates on the optimism of the 1970s. He considers the philosophy of the Half Moon Pho...
Slater reflects on his desire to work with Camerawork as a combination of his academic interests ...
Slater discussing how he found out about Camerawork after moving to North London, meeting Shirley...
Slater reflects on the makeup of Half Moon Photography Workshop and its orientation towards conte...
The election of Margaret Thatcher had a chilling effect on Camerawork and other arts organization...
Slater discussing Camerawork’s approaches to exhibiting work outside of a ‘fine art’ context, inc...
Slater discusses his current work and teachings with an eye towards how it relates to his time at...
Slater discusses the role of photography as a method to show truth and “bearing witness” in the c...
Steele-Perkins describes how he became involved in the project Survival Programmes with Paul Trev...
Steele-Perkins remembers the 1980s as a time when it was much easier to make money working as a p...
Left to right, Shirley Read, Mike Goldwater, Paul Trevor, Terry Dennett, Liz Heron, a volunteer a...
March 1979; Paul Trevor and friend at the HMPW's 4th Photo Jumble Sale. The jumble sale and prin...
1974 Paul Trevor in the Clifton Curry House, Brick Lane E1. After show openings people often wen...
December 1975; Paul Trevor and volunteer Janet Goldberg working on paste-up for the first issue o...
Jan/ Feb 1976; Paul Trevor working on edit of Camera Obscured? video tapes at Mike Goldwater's st...
August 1975; Mike Goldwater doing a radio interview following the first issue of Camerawork Magaz...
