
Oral History Excerpt - Don Slater
Slater reflects on his desire to work with Camerawork as a combination of his academic interests ...
Oral History Excerpt - Don Slater
Slater discussing how he found out about Camerawork after moving to North London, meeting Shirley...
Oral History Excerpt - Don Slater
Slater reflects on the makeup of Half Moon Photography Workshop and its orientation towards conte...
Oral History Excerpt - Don Slater
Slater discusses Half Moon/Camerawork’s internal debates regarding representing politics and his ...
Oral History Excerpt - Don Slater
Collective working and democratic decision-making informed almost all parts of the creative proce...
Oral History Excerpt - Don Slater
Slater reflects on his “community photography” article for Camerawork and the magazine’s goal of ...
Oral History Excerpt - Don Slater
The election of Margaret Thatcher had a chilling effect on Camerawork and other arts organization...
Oral History Excerpt - Don Slater
Slater discusses the new era of photography Camerawork was a part of: it did not have to be exclu...
Oral History Excerpt - Don Slater
Slater discussing Camerawork’s approaches to exhibiting work outside of a ‘fine art’ context, inc...
Oral History Excerpt - Don Slater
Slater discusses his current work and teachings with an eye towards how it relates to his time at...
Oral History Excerpt - Don Slater
Slater discusses the role of photography as a method to show truth and “bearing witness” in the c...
Camerawork Magazine - Issue 18
Issue 18: Still Images on Television, Squatting in the news, Porn, Law, Politics, Marketing the M...
Camerawork Magazine - Issue 25
Issue 25: Fragmentation, Sexuality and Images, Homo Erotica, Black Culture, German Montage
Don't Think So - Wilf Thust
Black and white photograph of young people during workshop for 'Don't Think So'