![0003185_Still_Raju Vaidyanathan 4.jpg](/files/assets/200x500/254713610.jpg)
Oral History Excerpt - Raju Vaidyanathan
Vaidyanathan elaborates on his experience of working on the film.![0003184_Still_Raju Vaidyanathan 3.jpg](/files/assets/200x500/721957159.jpg)
Oral History Excerpt - Raju Vaidyanathan
Vaidyanathan describes how first met Ruhul Amin and how he came to be involved in Amin’s film, A ...![0003183_Still_Raju Vaidyanathan 2.jpg](/files/assets/200x500/570230857.jpg)
Oral History Excerpt - Raju Vaidyanathan
Vaidyanathan talks about his desire to learn more about art and photography. He started going to ...![0003181_Still_Peter Kennard 5.jpg](/files/assets/200x500/172741632.jpg)
Oral History Excerpt - Peter Kennard
Kennard describes his friendship with Ed Barber and how the idea of laminating the HMPW exhibitio...![0003182_Still_Raju Vaidyanathan 1.jpg](/files/assets/200x500/460874578.jpg)
Oral History Excerpt - Raju Vaidyanathan
Vaidyanathan describes growing up in Brick Lane and the limited options available to children fro...![0003180_Still_Peter Kennard 4.jpg](/files/assets/200x500/594901963.jpg)
Oral History Excerpt - Peter Kennard
Kennard describes the article that he produced for Camerawork magazine entitled State of the Nati...![0003179_Still_Peter Kennard 3.jpg](/files/assets/200x500/992862576.jpg)
Oral History Excerpt - Peter Kennard
Kennard describes how his photomontage work was accepted within Camerawork / HMPW, despite this s...![0003178_Still_Peter Kennard 2.jpg](/files/assets/200x500/442230248.jpg)
Oral History Excerpt - Peter Kennard
Kennard describes the power of Camerawork as a collective organisation that was able to operate n...![0003177_Still_Peter Kennard 1.jpg](/files/assets/200x500/569692745.jpg)
Oral History Excerpt - Peter Kennard
Kennard describes his HMPW laminated exhibition A Document on Chile![0003176_Still_George Plemper 4.jpg](/files/assets/200x500/697986740.jpg)
Oral History Excerpt - George Plemper
Plemper elaborates on the optimism of the 1970s. He considers the philosophy of the Half Moon Pho...![0003174_Still_George Plemper 2.jpg](/files/assets/200x500/962493497.jpg)
Oral History Excerpt - George Plemper
Plemper explains his disillusion with teaching and his turn to photography as a series pursuit. H...![0003175_Still_George Plemper 3.jpg](/files/assets/200x500/976122155.jpg)
Oral History Excerpt - George Plemper
Plemper expands upon his approach to photographing his pupils at Riverside School, and considers ...![0003173_Still_George Plemper 1.jpg](/files/assets/200x500/959872846.jpg)
Oral History Excerpt - George Plemper
Plemper describes why he took to photographing his pupils as a young teacher.![0003169_FourCorners_Document_AlanFountain_CarolineSpry_C4Funding_1985.jpg](/files/assets/200x500/559470911.jpg)
Organisational - Four Corners
Letter to Caroline Spry of Four Corners from Alan Fountain at Channel Four about funding![0003170_FourCorners_Document_CarolineSpry_AlanFountain_C4Funding_1985.jpg](/files/assets/200x500/777399814.jpg)
Organisational - Four Corners
Letter to Alan Fountain at Channel Four from Caroline Spry of Four Corners about funding![0003067_HalfmoonCamerawork_Postcard_HMPWTouringExhibition_PaulHarrison_FromPortugalASocialRevolution_Front.jpg](/files/assets/200x500/377417538.jpg)
Portugal: A Social Revolution? - Paul Harrison
A series of postcards for the Half Moon Photography Workshop Touring Exhibition![0003037_FourCorners_Article_RonPeck_NighthawksReviews_01.jpg](/files/assets/200x500/371340746.jpg)