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Slater reflects on the makeup of Half Moon Photography Workshop and its orientation towards conte...
Slater discusses ’s internal debates regarding representing Politics of Photography and his impl...
Politics of Photographyand democratic decision-making informed almost all parts of the creative p...
Slater reflects on his “community photography” article for Camerawork and the magazine’s goal of ...
The election of Margaret Thatcher had a chilling effect on Camerawork and other arts organization...
Slater discusses the new era of photography Camerawork was a part of: it did not have to be exclu...
Slater discussing Camerawork’s approaches to exhibiting work outside of a ‘fine art’ context, inc...
Slater discusses his current work and teachings with an eye towards how it relates to his time at...
Slater discusses the role of photography as a method to show truth and “bearing witness” in the c...
Steele-Perkins remembers the 1980s as a time when it was much easier to make money working as a p...
Steele-Perkins describes how he became involved in the project Survival Programmes with Paul Trev...
Amin describes meeting Channel 4’s Alan Fountain and being commissioned to write a script for a f...
Pack discusses Mass Observation, which served as an ‘anthropology of Britain’.
Handwritten advert for "In Praise Of Allotments" event, including screening of fim
A certificate showing that the film "On Allotments" was shown at the Edinburgh International Film...
Shot on location in Newham, East London, On Allotments might be regarded as a companion piece to ...
Poster for On Allotments
Handwritten description of the film
An early Four Corners feminist film exploring the domestic sphere. The film uses detailed close-u...
An invitation to the projection of Nighthawks at the Brady Club
