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Archive

67 results


All; keyword:Zimbabwe National Archives in Salisbury
Sort By: Name, Origination Date, Date Added
0001997_Camerawork_AnnualReport_82_83_page01.jpg
Document

Organisational - Half Moon Photography Workshop...

Camerawork Annual Report 82/83 - including report on past 12 months and planning for future
annual report
annual report
0001994_Camerawork_AnnualReport_83_84_page01.jpg
Document

Organisational - Half Moon Photography Workshop...

Camerawork Annual Report 83/84 - including report on past 12 months and planning for future
annual report
annual report
0001993_Camerawork_AnnualReport_82_83_page01.jpg
Document

Organisational - Half Moon Photography Workshop...

Camerawork Annual Report 82/83 - including report on past 12 months and planning for future
annual report
annual report
0001991_Camerawork_AnnualReport_87_88_page01.jpg
Document

Organisational - Half Moon Photography Workshop...

Camerawork Annual Report 87/88 - including report on past 12 months and planning for future
annual report
annual report
0001987_Camerawork_Policy_GalleryProgramme_85_86_page01.jpg
Document

Organisational - Half Moon Photography Workshop...

Gallery Programme with details of exhibitions held at Camerawork in 1985-86 including attendance ...
gallery programme
gallery programme
0000123_FourCorners_booklet_wilfthust_isthatit_1985_cover.jpg
Booklet

Is That It? - Wilf Thust

Printed programme to accompany the film. Includes detailed information of contributors and suppor...
experiment, project, role play
experiment, project, role play
0000032_Camerawork_Magazine_Issue31_1985_front.jpg
Magazine

Camerawork Magazine - Issue 31

Issue 31:Food: Images and Politics
1984, a few hotheads, advertising, agriculture, archive
1984, a few hotheads, advertising, agriculture, archive, black audio film collective, body image, campaign, coal, colonial legacy, colonialism, colonies, community, consumption, control, desire, distribution, domination, easington, empire, ethnic, factory, farming, federation of community photography, fleet street, food, french, fruit preservers, guilt, gwent collage of higher education, history, import, indian, industrial dispute, industry, international women’s day, lipton, meat, middlesex, mining, naughty but nice, newport museum and art gallery, newport survey, orwell, packaging, photography course, photomontage, pleasure, political struggle, postcards, posters, preserves, production, racism, rural life, sexual violence, sexuality, signs of empire and images of nationality, slaughterhouse, socialist, sprouts, street market, strike, students, sugar, supermarket, tea, the commodities project, tondu photo workshop, tradition, vegetarian, weight, west midlands arts, women, women workers, working class, workshop, world
0000030_Camerawork_Magazine_Issue30_1984_cover.jpg
Magazine

Camerawork Magazine - Issue 30

Issue 30: Black Culture, Pictures of women, Beyond the Pleasure Principle, Pop Videos, Images of War
act of looking, advertising, american, anthropology, appropriation
act of looking, advertising, american, anthropology, appropriation, archive, art in the age of the mass media, arts and action, auca, berlin, black, body, cable, cable development, captions, channel 4, civil war, collection, community, conflict, culture, darkroom, david hockney, desire, discourse, diy, drawing, el salvadorian film institute, elizabeth elliot, ethnography, exhibition, exhibition texts, fact, falklands, feminist, film, hayward gallery, heroism, hierarchy, history, hockney at the hayward, imperial war museum, independent film, independent video, indians, institute of contemporary art, loli galvar, love, mapplethorpe at the ica, media, mtv, music video, narrative, national identity, native, painting, patriarchy, photography, photomontage, pictures of women, pleasure principle, political, postcard, precarious masculinity, printing, promo video, promotion, promotion protecting photographs, record industry, record sales, reggae, renovation, representation, restoration, rising red star advertising agency, seminar, sexuality, sound systems, south hill park arts centre, stereotypes, still image, story, sudhost express, technology, television, television industry, text panels, the eleventh hour, the people will win, the savage my kinsman, time, video, visual perception, war, war photography, women, writing for exhibitions
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