515 results
Meadows reflects upon the social commentaries made by exhibitions held at the Half Moon Gallery (...
Meadows reflects on the success of the two women’s exhibitions as the start of Half Moon’s shift ...
A selection of pages from the Comments Book for Political Photomontage after Heartfield; Nicaragu...
Meadows discusses the end of Allie Street, which signalled Camerawork’s move to Roman Road.
Slater reflects on his desire to work with Camerawork as a combination of his academic interests ...
Slater discussing how he found out about Camerawork after moving to North London, meeting Shirley...
Politics of Photographyand democratic decision-making informed almost all parts of the creative p...
Slater reflects on his “community photography” article for Camerawork and the magazine’s goal of ...
The election of Margaret Thatcher had a chilling effect on Camerawork and other arts organization...
Slater discusses the new era of photography Camerawork was a part of: it did not have to be exclu...
Slater discussing Camerawork’s approaches to exhibiting work outside of a ‘fine art’ context, inc...
Slater discusses his current work and teachings with an eye towards how it relates to his time at...
Pack goes into detail on Camerawork Magazine's extraordinary format and printing process.
Pack reflects on an initiative with group of women who were published in Camerawork and later rep...
Ewald discusses early exhibitions at Camerawork, along with her interest in different types of ph...
Trevor discussing the original intent of Camerawork’s first issue, which focused on documentary p...
The inspiration for the ‘Mass Observation’ issue of Camerawork came out of a Royal College of Art...
Trevor discussing many of the contemporaries that worked in or with Camerawork Magazine through t...
Trevor discussing the spirit of the magazine and its roots in the community, and representing the...
Trevor discussing Camerawork Magazine’s promotion of British documentary photography.
