1167 results
Wilmer describes the success of her first major exhibition at the V&A, her work for the Times as ...
Wilmer discusses her involvement with Camerawork’s seminars, unpublished work for Camerawork Maga...
Wilmer reflects on Half Moon’s Women Photography exhibits and theory vs “going along” with repres...
Peck discusses the development of the film ‘Nighthawks’, Britain’s first feature film about the g...
Vaidyanathan describes growing up in Brick Lane and the limited options available to children fro...
Vaidyanathan talks about his desire to learn more about art and photography. He started going to ...
Kennard describes the power of Camerawork as a collective organisation that was able to operate n...
Kennard describes how his photomontage work was accepted within Camerawork / HMPW, despite this s...
Kennard describes the article that he produced for Camerawork magazine entitled State of the Nati...
Trevor discussing the original intent of Camerawork’s first issue, which focused on documentary p...
The inspiration for the ‘Mass Observation’ issue of Camerawork came out of a Royal College of Art...
Trevor discussing many of the contemporaries that worked in or with Camerawork Magazine through t...
Trevor discussing the spirit of the magazine and its roots in the community, and representing the...
Trevor discusses studying as an accountant before getting into photography -- and deliberately hi...
Trevor talks about meeting Julia Meadows & Ron McCormick while working at Half Moon.
Trevor describing his involvement with the Half Moon Gallery & Workshop, volunteering for 8 years.
Trevor discussing Camerawork Magazine’s promotion of British documentary photography.
Trevor discussing the 70s zeitgeist and political climate that allowed for Camerawork to thrive.
Trevor discussing the political leanings of the Camerawork staff, along his creation of Camerawor...
Trevor discussing Half Moon’s usage of flyposting, particularly in advertising exhibitions and fo...
