557 results
The election of Margaret Thatcher had a chilling effect on Camerawork and other arts organization...
Slater discusses the new era of photography Camerawork was a part of: it did not have to be exclu...
Slater discussing Camerawork’s approaches to exhibiting work outside of a ‘fine art’ context, inc...
Slater discusses his current work and teachings with an eye towards how it relates to his time at...
Slater discusses the role of photography as a method to show truth and “bearing witness” in the c...
Pack discusses the prospect of photography being intertwined with Politics of Photography during ...
Pack explains how she got her first job at Half Moon.
Pack discusses Mass Observation, which served as an ‘anthropology of Britain’.
Pack goes into detail on Camerawork Magazine's extraordinary format and printing process.
Pack reflects on an initiative with group of women who were published in Camerawork and later rep...
Trevor discusses his photos of Brick Lane - then the most heavily policed area in the UK outside ...
Trevor discussing the original intent of Camerawork’s first issue, which focused on documentary p...
The inspiration for the ‘Mass Observation’ issue of Camerawork came out of a Royal College of Art...
Trevor discussing many of the contemporaries that worked in or with Camerawork Magazine through t...
Trevor discussing the spirit of the magazine and its roots in the community, and representing the...
Trevor discusses studying as an accountant before getting into photography -- and deliberately hi...
Trevor talks about meeting Julia Meadows & Ron McCormick while working at Half Moon.
Trevor describing his involvement with the Half Moon Gallery & Workshop, volunteering for 8 years.
Trevor discussing Camerawork Magazine’s promotion of British documentary photography.
Trevor discussing the 70s zeitgeist and political climate that allowed for Camerawork to thrive.
