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Letter from Richard Platt to Rob Giles about costs and arrangements for exhibiting the show in Ne...
Press Release with a black and white photograph
Exhibition poster
Letter from Marguerite McLaughlin to Rob Giles about a possible exhibition tour in New Zealand
Letter from Rob Giles to Half Moon Photography Workshop asking about hiring their exhibitions in ...
An article from Eyepiece on the Westmoreland's panoramas, written by John Morrison
A letter from Clare Dove to Sharon Kivland declining the opportunity to work on the "Women and Sc...
Slater discusses his current work and teachings with an eye towards how it relates to his time at...
Trevor discussing the 70s zeitgeist and political climate that allowed for Camerawork to thrive.
Kennard describes the power of Camerawork as a collective organisation that was able to operate n...
Kennard describes the article that he produced for Camerawork magazine entitled State of the Nati...
Meadows discusses the end of Allie Street, which signalled Camerawork’s move to Roman Road.
Slater reflects on his desire to work with Camerawork as a combination of his academic interests ...
Slater discussing how he found out about Camerawork after moving to North London, meeting Shirley...
The election of Margaret Thatcher had a chilling effect on Camerawork and other arts organization...
Slater discussing Camerawork’s approaches to exhibiting work outside of a ‘fine art’ context, inc...
Exhibition invite
People queuing down the street on Sunday 13th March 1977 before the door opened for the second Ha...
People queuing in the gallery and down the street on Sunday 13th March 1977 before the door opene...