
Who Killed Blair Peach?
Letter from Richard Platt to Rob Giles about costs and arrangements for exhibiting the show in Ne...
No Access - Julie Mimack
Exhibition Poster for No Access: photographs by disabled people by Julie MimackOral History Excerpt - Lisa Warren
Warren discuss how she joined Four Corners Workshop, the importance it had on her life and other ...
Oral History Excerpt - Paul Trevor
Trevor discussing the 8th issue of Camerawork Magazine which featured his photography of the Batt...
Oral History Excerpt - Paul Trevor
Trevor discussing Camerawork Magazine’s promotion of British documentary photography.
Oral History Excerpt - Paul Trevor
Trevor describing his involvement with the Half Moon Gallery & Workshop, volunteering for 8 years.
Oral History Excerpt - Paul Trevor
Trevor discusses studying as an accountant before getting into photography -- and deliberately hi...
Oral History Excerpt - Paul Trevor
Trevor discussing the original intent of Camerawork’s first issue, which focused on documentary p...
Oral History Excerpt - Wendy Ewald
Ewald talks about the hardship of bringing photography in the country when it was not yet recogni...
Oral History Excerpt - Wendy Ewald
Ewald discusses early exhibitions at Camerawork, along with her interest in different types of ph...
Oral History Excerpt - Jill Pack
Pack discusses the prospect of photography being intertwined with politics during her time as a s...
Oral History Excerpt - Don Slater
Slater discusses the role of photography as a method to show truth and “bearing witness” in the c...
Oral History Excerpt - Don Slater
Slater discusses the new era of photography Camerawork was a part of: it did not have to be exclu...
Oral History Excerpt - Don Slater
Slater reflects on his “community photography” article for Camerawork and the magazine’s goal of ...
Oral History Excerpt - Don Slater
Slater reflects on the makeup of Half Moon Photography Workshop and its orientation towards conte...