112 results
Kennard describes his friendship with Ed Barber and how the idea of laminating the HMPW exhibitio...
Cover for a booklet that reproduces the contents of Camerawork Issue 13
Steele-Perkins remembers the 1980s as a time when it was much easier to make money working as a p...
Steele-Perkins describes how he became involved in the project Survival Programmes with Paul Trev...
Press Cutting. Page 2 of 2
A series of postcards for the Half Moon Photography Workshop Touring Exhibition. Page 2 of 2
Wilmer talks about the two events in her life which influenced her to start using photography.
Wilmer describes one of her jobs in the darkroom at National Gallery and then moving on to Tropic...
Wilmer talks about her travels to USA and how feminism and racial discrimination were part of her...
Wilmer discusses how she got her first major exhibition at the V&A in 1972.
Meadows explains how she became involved with the Half Moon Gallery (later Half Moon Photography ...
Wilmer describes the success of her first major exhibition at the V&A, her work for the Times as ...
Meadows describes some of the early exhibitions at Half Moon Gallery (later Half Moon Photography...
Meadows reflects upon the social commentaries made by exhibitions held at the Half Moon Gallery (...
Wilmer talks about the beginning of Format with Maggie Murray, a women’s picture agency
Meadows recalls the efforts Half Moon made to reduce the elitist stigma around photography as art...
Meadows discusses the origins, creative process and reception of Half Moon’s first Women’s exhibi...
Meadows reflects on the success of the two women’s exhibitions as the start of Half Moon’s shift ...
Wilmer discusses her involvement with Camerawork’s seminars, unpublished work for Camerawork Maga...
Meadows discusses the end of Allie Street, which signalled Camerawork’s move to Roman Road.
