214 results
Plemper elaborates on the optimism of the 1970s. He considers the philosophy of the Half Moon Pho...
Kennard describes his HMPW laminated exhibition A Document on Chile
Kennard describes the power of Camerawork as a collective organisation that was able to operate n...
Kennard describes how his photomontage work was accepted within Camerawork / HMPW, despite this s...
Kennard describes the article that he produced for Camerawork magazine entitled State of the Nati...
Kennard describes his friendship with Ed Barber and how the idea of laminating the HMPW exhibitio...
Vaidyanathan describes growing up in Brick Lane and the limited options available to children fro...
Vaidyanathan talks about his desire to learn more about art and photography. He started going to ...
Vaidyanathan describes how first met Ruhul Amin and how he came to be involved in Amin’s film, A ...
Vaidyanathan elaborates on his experience of working on the film.
Cover for a booklet that reproduces the contents of Camerawork Issue 13
Steele-Perkins remembers the 1980s as a time when it was much easier to make money working as a p...
Steele-Perkins describes how he became involved in the project Survival Programmes with Paul Trev...
An invitation to the projection of Nighthawks at the Brady Club
Press Cutting. Page 2 of 2
Don't think so' final month's schedule, and transcript of taped discussion between Wilf, Keith, S...
History of Four Corners and Four Corners Cinema with ongoing workshops/events/hires. An extract f...
A series of postcards for the Half Moon Photography Workshop Touring Exhibition. Page 2 of 2
