198 results
Plemper describes why he took to photographing his pupils as a young teacher.
Plemper explains his disillusion with teaching and his turn to photography as a series pursuit. H...
Plemper expands upon his approach to photographing his pupils at Riverside School, and considers ...
Plemper elaborates on the optimism of the 1970s. He considers the philosophy of the Half Moon Pho...
Slater reflects on his desire to work with Camerawork as a combination of his academic interests ...
Slater discussing how he found out about Camerawork after moving to North London, meeting Shirley...
Slater reflects on the makeup of Half Moon Photography Workshop and its orientation towards conte...
The election of Margaret Thatcher had a chilling effect on Camerawork and other arts organization...
Slater discussing Camerawork’s approaches to exhibiting work outside of a ‘fine art’ context, inc...
Slater discusses his current work and teachings with an eye towards how it relates to his time at...
Slater discusses the role of photography as a method to show truth and “bearing witness” in the c...
Steele-Perkins remembers the 1980s as a time when it was much easier to make money working as a p...
Steele-Perkins describes how he became involved in the project Survival Programmes with Paul Trev...
Mockup of poster for film screening at Four Corners in conjunction with the Camerawork exhibition
August 1979; Building works - Richard Platt (centre) and Mike Goldwater support a section of duct...
Summer 1979; As building works continue - with new window frames installed on the grond floor - E...
3rd March 1975; 'Photography on the Curriculum' seminar. Tom Picton, (bottom left) Senior Lecture...
Tom Picton, Senior Lecturer in Photography at the Royal College of Art, in the audience. during ...
22nd March 1976; Opening for the 'Doing Photography' show with teenagers from Blackfriars Settlem...
