200 results
Completed Camerawork subscription form by Richard Menant
Kennard describes his HMPW laminated exhibition A Document on Chile
Kennard describes the power of Camerawork as a collective organisation that was able to operate n...
Kennard describes how his photomontage work was accepted within Camerawork / HMPW, despite this s...
Kennard describes the article that he produced for Camerawork magazine entitled State of the Nati...
Kennard describes his friendship with Ed Barber and how the idea of laminating the HMPW exhibitio...
Meadows reflects on the success of the two women’s exhibitions as the start of Half Moon’s shift ...
Plemper describes why he took to photographing his pupils as a young teacher.
Plemper explains his disillusion with teaching and his turn to photography as a series pursuit. H...
Plemper expands upon his approach to photographing his pupils at Riverside School, and considers ...
Plemper elaborates on the optimism of the 1970s. He considers the philosophy of the Half Moon Pho...
Steele-Perkins remembers the 1980s as a time when it was much easier to make money working as a p...
Steele-Perkins describes how he became involved in the project Survival Programmes with Paul Trev...
A black and white photograph of two members of Half Moon Photography Workshop preparing the exhib...
Photograph of a woman in the street
24th March 1975; David Hurn on the panel during the 'Photography on the Curriculum' seminar. Ph...
Exhibition Contract between HMPW and George Plemper. Page 2 of 4
An exhibition proposal for the "Loose Connections" project
Leaflet for Interlink Magazine Launch Party. Page 2 of 2
