Archive
6 results
Camerawork Magazine - Issue 06
Issue 6: John Berger, Steve Hoare, Tom Picton, Nick Hedges, Roger Mayne, Jo Spence, John Tagg'working lives', alternative technology, amateur, art photography, capitalism, centreprise publishing project, children's photography, class, commercial photography, curriculum, depth of focus, documentary, ethnography, factories, half moon photography workshop educational collective, industrial, marxism, mass reproduction, neo-realism, nude, objectification, paul strand, photography as evidence, picture post magazine, pinhole, portrait photography, printing, robert golden, roger mayne, routine, social realism, viewpoint, work, workers' educational association
Camerawork Magazine - Issue 12
Issue 12: Portraits'public' vs. 'private' photography, 19th century photography, album photography, amateur, archetypes
'public' vs. 'private' photography, 19th century photography, album photography, amateur, archetypes, art photography, cabinet photo, calotypes, carte-de-visite, celebrity, commodification of sex, commodity, daguerrotype, david bowie, democratisation of photography, documentary, dolls, drug culture, early commercial photography, early studio portrait photography, environmental portraits, experiences of sitters, fame, families, family albums, fashion photography, glamour, holiday photos, hollywood, homelessness, housing, individuality, Memory, mothers, national campaign for the homeless, objectification, paparazzi, photo-portrait, pictorialism, pin-up, pop art, pornography, portrait, portrait photography, portrait photography vs paintings, portraits of musicians, portraiture, poverty, prostitutes, prostitution, publicity, punk, record industry, rembrandt, second sight, self-portrait, shelter, snapshots, star system, stereograph, storyville portraits, studio portrait photography, subculture, the nude, weegee, women photographers
Camerawork Magazine - Issue 25
Issue 25: Fragmentation, Sexuality and Images, Homo Erotica, Black Culture, German Montageafrican women, afro caribbean, aiz photojournal, arthur tress, black culture, black male, buchi emecherta, camera lucida, capitalism, china, codes, design, erotica, errol francis, ethnicity, feminist, feminist erotica, fetishism, fragmentation, gay, german montage, germany, herman leupold, homo erotica, homosexuality, image, jan brown, kobena mercer, kreuzberg, latin america, leninist, libya, male, marxist, marxist-leninist, mohammed al gadafy, nazi, new york, normalisation, obsession, our own freedom, pathologisation of black culture, perfect body, policing, pornography, positive image, power, race relations, representation, resistance, robert mapplethorpe, roland barthes, sexual violence, sexualised, sexuality, slavery, socialised, squatting, surplus knowledge, the arbeiter-illustrierte-zeitung, third effect, third reich, tony benn, wavaw, werner al orlowsky, women, women against violence against women, workers illustrated newspaper
Camerawork Magazine - Issue 29
Issue 29: Images of the Left, McClaren on Cable, Photomontage, Stuart Hall, Video1981, advertising, album covers, alternative, atrocity, band, beirut, beta, branding, broadcast, cable, campaign, colin roach, committing photography, community activism, community arts, community practice, conflict, constraints, darkroom, documentary, documentary realism, east london media forum, economic recession, edinburgh television festival, entertainment, exit photography group, factory records, fashion, female representation, film, format, funding, genocide, graphic design, ideology, inner cities, interview, interviews, invasion, isaac julien, israel, labour, labour party, lebanon, left, london video arts, malcolm mclauren, milton keynes, montage, mtv, music, nam june paik, network, new media, new order, photographing television, photojournalism, picture agency, political photograph, pop, popular, poverty, press, promotion, record industry, record sleeve, rentasnap, rio cinema, riots, self-portrait, simulation, slide, socialism, socialist realism, stuart hall, studio, style, survival programmes, taking tv pictures, tape/slide, television, the photo co-op, vhs, video, video art, video distribution, video exhibition, war, women’s photography, working class, youth vote, zionism
Camerawork Magazine - Issue 32
Issue 32: Science and Technology19th c, advertisement, american, apalachia, arts council of great britain, body, brunel, canadian, classroom, computer, conference, cultures, discipline, documentary, education, erotic, fantasies, female, foucault, gender roles, glamour, great western railway, health, history, illumination, indians, industrialisation, isolation, jo spence, kingdom, knowledge, light, maxism, model, native, nineteenth century, nude, objectivity, panopticon, photographers in education, polysnappers, post-modernism, power, press, private, progress, public, punishment, rationality, records, review of work 1950 – 85, rhetoric, role reversal, science, scientific frameworks, sculpture, semiotics, sexual identity, sexuality, steamship, stereotype, stories, surveillance, technology, television mythologies, truth, typist, underprivileged, victorian, visual display unit, wellbeing, women, word processing
