
Who Killed Blair Peach?
Letter from Rob Giles to Half Moon Photography Workshop asking about hiring their exhibitions in ...
Who Killed Blair Peach?
Letter from Marguerite McLaughlin to Rob Giles about a possible exhibition tour in New Zealand
Organisational - Half Moon Photography Workshop...
Statement from non-worker members of Management Committee from meeting on 1 Feb 1984 regarding ne...
General Press - Camerawork Magazine (Issue 08)
An article about Camerawork Magazine Issue 08 featuring the Battle of Lewisham
Who Killed Blair Peach?
Letter from Richard Platt to Rob Giles about costs and arrangements for exhibiting the show in Ne...
No Access - Julie Mimack
Exhibition Poster for No Access: photographs by disabled people by Julie Mimack
Oral History Excerpt - Paul Trevor
Trevor discussing the 8th issue of Camerawork Magazine which featured his photography of the Batt...
Oral History Excerpt - Paul Trevor
Trevor discussing Camerawork Magazine’s promotion of British documentary photography.
Oral History Excerpt - Paul Trevor
Trevor discusses studying as an accountant before getting into photography -- and deliberately hi...
Oral History Excerpt - Paul Trevor
Trevor discussing the original intent of Camerawork’s first issue, which focused on documentary p...
Oral History Excerpt - Wendy Ewald
Ewald talks about the hardship of bringing photography in the country when it was not yet recogni...
Oral History Excerpt - Wendy Ewald
Ewald discusses early exhibitions at Camerawork, along with her interest in different types of ph...
Oral History Excerpt - Jill Pack
Pack discusses the prospect of photography being intertwined with politics during her time as a s...
Oral History Excerpt - Don Slater
Slater discusses the role of photography as a method to show truth and “bearing witness” in the c...
Oral History Excerpt - Don Slater
Slater discusses the new era of photography Camerawork was a part of: it did not have to be exclu...
Oral History Excerpt - Don Slater
Slater reflects on his “community photography” article for Camerawork and the magazine’s goal of ...