515 results
Wilmer discusses her involvement with Camerawork’s seminars, unpublished work for Camerawork Maga...
Slater reflects on his desire to work with Camerawork as a combination of his academic interests ...
Slater discussing how he found out about Camerawork after moving to North London, meeting Shirley...
Politics of Photographyand democratic decision-making informed almost all parts of the creative p...
Slater reflects on his “community photography” article for Camerawork and the magazine’s goal of ...
The election of Margaret Thatcher had a chilling effect on Camerawork and other arts organization...
Slater discusses the new era of photography Camerawork was a part of: it did not have to be exclu...
Slater discussing Camerawork’s approaches to exhibiting work outside of a ‘fine art’ context, inc...
Slater discusses his current work and teachings with an eye towards how it relates to his time at...
Pack goes into detail on Camerawork Magazine's extraordinary format and printing process.
Pack reflects on an initiative with group of women who were published in Camerawork and later rep...
Ewald discusses early exhibitions at Camerawork, along with her interest in different types of ph...
Trevor discussing the original intent of Camerawork’s first issue, which focused on documentary p...
The inspiration for the ‘Mass Observation’ issue of Camerawork came out of a Royal College of Art...
Trevor discussing many of the contemporaries that worked in or with Camerawork Magazine through t...
Trevor discussing the spirit of the magazine and its roots in the community, and representing the...
Trevor discussing Half Moon’s usage of flyposting, particularly in advertising exhibitions and fo...
Trevor discussing the 8th issue of Camerawork Magazine which featured his photography of the Batt...
After the success of the Lewisham issue, Camerawork Magazine evolved into single issues like Mass...
Trevor discussing the content of Camerawork Magazine’s anti-racist stance in comparison to the ma...
