Camerawork Magazine - Issue 16
Issue 16: Manchester Studies Archive, Nicaragua in the News, Japanese Photography Reviewed, Camer...anti-realism, archives, camera obscura, camerawork, camerawork readers' meeting, canon, capitalism, civil war, community, community photography, diagram, do it yerself, eikoh hosoe, family collection, fsln, history, horror, industry, instructions, japanese photography today and its origins, lewisham, managua, manchester studies archive rescue, marxism, news photography, nicaragua dictatorship and revolution, oral history, photography agencies, photography analysis, photography theory, photojournalism, phototography practice, political, race today, realism, sandinista, self-image, socialism, somoza, visual representation
Camerawork Magazine - Issue 17
Issue 17: The fashion Spread, Blair Peach-No Cover Up, Matchgirls' Strike-Labour History Musuem, ...1880, activism, advertising, anti-racism, blair peach, bryant & may, capitalism, cliches, commercial photography, community, conservative, copyright, court, deborah turbeville, demonstation, demonstration, depression, do it yourself, economic policy, environment, fashion, fashion industry, female gaze, friends of blair peach committee, guy bourdin, helmut newton, inquest, intellectual property, intervention, labour history, law, male gaze, match-girls, matchbox, mechanical reproduction, media representation, national museum of labour history, nuclear, nuclear power station, nuclear waste, peter kennard, photography/politics, pinhole, police, police brutality, political statement, postcards, printer, privacy, property, protest, racial tension, radioactive waste, representations of women, rights, social reform, stereotypes, strike, teds, union, unionisation, vogue, walkerprint, who killed blair peach? police racism, windscale, windscale inquiry
Camerawork Magazine - Issue 20
Issue 20: Zimbabwe - Managing History, Immigrant Women, Cover Women, Political Photomontage: Hear...advertising, art and commerce, british photography, camerawork, chimurenga, colonialism, community, cosmopolitan, economy, editorial, exhibition reviews, exploitation, feminism, gender stereotypes, german, hegemony, immigrant, left, magazine, magazine covers, mashona, national conference of socialist photography, new photography, north paddington community darkroom, photobooks, photomontage, politics of representation, portrait, portraiture, representation, representation of women, rhodes, rhodesia, socialism, spare rib, staeckbrief, stalinist, turkish, women, women and home, women's own, zimbabawe
Camerawork Magazine - Issue 21
Issue 21: Representing the Disabled, Gaining Momentum - Eight Women Photograph Women, Photography...access, accessibility, action, art, arts council of great britain, bethnal green hospital, birth, bootle arts and action, care, community, copyright, copyright act, cuts, disability, disabled, east london health project, family, female, feminist, festival, funding, gaining momentum, greater london arts association, handicapped, health, home, infringement, intervention, license, magubane’s south africa, merseyside arts association, motherhood, mothers, national conference of socialist photography, outsiders, photojournalism, photomontage, plagiarism, political practice, politics, representation, rights, social documentary, soweto, stereotypes, text and image, trade council, trade union, well-being, wheelchair, wives, women’s movement
Camerawork Magazine - Issue 30
Issue 30: Black Culture, Pictures of women, Beyond the Pleasure Principle, Pop Videos, Images of Waract of looking, advertising, american, anthropology, appropriation, archive, art in the age of the mass media, arts and action, auca, berlin, black, body, cable, cable development, captions, channel 4, civil war, collection, community, conflict, culture, darkroom, david hockney, desire, discourse, diy, drawing, el salvadorian film institute, elizabeth elliot, ethnography, exhibition, exhibition texts, fact, falklands, feminist, film, hayward gallery, heroism, hierarchy, history, hockney at the hayward, imperial war museum, independent film, independent video, indians, institute of contemporary art, loli galvar, love, mapplethorpe at the ica, media, mtv, music video, narrative, national identity, native, painting, patriarchy, photography, photomontage, pictures of women, pleasure principle, political, postcard, precarious masculinity, printing, promo video, promotion, promotion protecting photographs, record industry, record sales, reggae, renovation, representation, restoration, rising red star advertising agency, seminar, sexuality, sound systems, south hill park arts centre, stereotypes, still image, story, sudhost express, technology, television, television industry, text panels, the eleventh hour, the people will win, the savage my kinsman, time, video, visual perception, war, war photography, women, writing for exhibitions
Camerawork Magazine - Issue 31
Issue 31:Food: Images and Politics1984, a few hotheads, advertising, agriculture, archive, black audio film collective, body image, campaign, coal, colonial legacy, colonialism, colonies, community, consumption, control, desire, distribution, domination, easington, empire, ethnic, factory, farming, federation of community photography, fleet street, food, french, fruit preservers, guilt, gwent collage of higher education, history, import, indian, industrial dispute, industry, international women’s day, lipton, meat, middlesex, mining, naughty but nice, newport museum and art gallery, newport survey, orwell, packaging, photography course, photomontage, pleasure, political struggle, postcards, posters, preserves, production, racism, rural life, sexual violence, sexuality, signs of empire and images of nationality, slaughterhouse, socialist, sprouts, street market, strike, students, sugar, supermarket, tea, the commodities project, tondu photo workshop, tradition, vegetarian, weight, west midlands arts, women, women workers, working class, workshop, world