Request History

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• archive/index/page:3?keyword=Four Corners%2FRon Peck&organisation=3
• archive/index/sort:title/direction:asc?keyword=Four Corners%2FRon Peck&organisation=1
• archive/index/sort:title/direction:asc?keyword=Four Corners%2FRon Peck&organisation=2
• archive/index/page:27/sort:origination_year/direction:asc?keyword=Ron Maureen and Peter

Session

• Config(array)
  • userAgent144ed409884da073515230947c68441e
  • time1758162351
  • countdown10
• Antispam(array)
  • first4
  • second7
  • answereleven
• sentry_event_id211181a1899d46ffa7e674ce2d90a14a

Request

Cake Params

• pluginstory
• controllerstory_posts
• actionindex
• named(array)
  • categoryexhibitions
• pass(empty)
• isAjax(false)
• paging(array)
  • StoryPost(array)
    • page1
    • current3
    • count3
    • prevPage(false)
    • nextPage(false)
    • pageCount1
    • order(array)
      • StoryPost.sortingasc
      • StoryPost.datedesc
      • StoryPost.timedesc
    • limit6
    • options(empty)
    • paramTypenamed
    • queryScope(null)

Post data

No post data.

Query string

No querystring data.

Cookie

To view Cookies, add CookieComponent to Controller

Current Route

• keys(empty)
• options(empty)
• defaults(array)
  • pluginstory
  • controllerstory_posts
  • actionindex
• template/explore/*

Sql Logs

Logs

View Variables

• title_for_layoutFour Corners Archive - Story - Exhibitions
• crumbs(array)
  • 0(array)
    • titleHome
    • url/
    • options(null)
  • 1(array)
    • titleStory
    • url/story
    • options(null)
  • 2(array)
    • titleExhibitions
    • url(array)
      • categoryexhibitions
    • options(null)
• bodyClass(array)
  • 0plugin-story page-story story-index page-generic
• data(array)
  • 0(array)
    • StoryPost(array)
      • id3
      • uid904827868
      • date2025-06-10
      • time11:30:00
      • tags
      • titleTouring Exhibitions
      • slugtouring-exhibitions
      • collection_id(null)
      • theme_id(null)
      • keyword
      • frontpage_element_id(null)
      • image_id6817
      • excerpt<p>Use the interactive feature to explore the Half Moon touring shows 1976–1984. The map has been created as part of a research project into the Half Moon touring shows.</p>
      • meta_title
      • meta_keywords
      • meta_description
      • created2025-06-10 11:27:57
      • created_by2
      • modified2025-09-15 12:34:29
      • modified_by4
      • sorting40
      • status1
      • date_time2025-06-10 11:30:00
    • Collection(array)
      • id(null)
      • name(null)
    • Theme(array)
      • id(null)
      • name(null)
    • CreatedBy(array)
      • id2
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      • uid923208657
      • avatar_id(null)
      • emailondra@on-idle.com
      • password0132f5ed37851be492e7631f556e0a8a911382e6
      • first_nameOndrej
      • last_nameNedvidek
      • localeeng
      • created2018-03-19 07:48:36
      • created_by(null)
      • modified2018-03-19 07:48:36
      • modified_by(null)
      • notify_me(true)
      • status1
      • nameOndrej Nedvidek
    • ModifiedBy(array)
      • id4
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      • role_id1
      • uid328780337
      • avatar_id(null)
      • emailane@on-idle.com
      • password0132f5ed37851be492e7631f556e0a8a911382e6
      • first_nameAné-Mari
      • last_namePeter
      • localeeng
      • created2018-03-19 07:48:36
      • created_by(null)
      • modified2025-06-04 13:52:05
      • modified_by2
      • notify_me(true)
      • status1
      • nameAné-Mari Peter
    • StoryContent(array)
      • 0(array)
        • id25
        • story_post_id3
        • image_id6817
        • image_alignmentnone
        • image_linkhttps://touring.fourcornersarchive.org/
        • document_id(null)
        • frontpage_element_id(null)
        • story_gallery_id(null)
        • embed
        • uid668794326
        • sorting1
        • title
        • content<h2>Explore our Touring Map</h2> <p>Use this interactive feature to explore the Half Moon touring shows 1976-1984.</p> <p>In the 1970s, photographers at East London’s Half Moon Gallery developed an innovative approach to exhibition making. They arranged their work on laminated card panels, creating unpretentious exhibitions-in-a-box that travelled the country via British Rail.</p> <p>Working as the Half Moon Photography Workshop, they created an alternative exhibition circuit that reached audiences far beyond conventional art spaces. Over fifty shows travelled nationwide, enabling people to encounter new forms of community photography and social documentary as part of their everyday lives.</p> <p>This map has been created as part of a research project into the Half Moon touring shows, supported by the Paul Mellon Centre for Studies in British Art and the National Lottery Heritage Fund. </p> <p><a class="btn btn-primary" href="https://touring.fourcornersarchive.org/" target="_blank">Four Corners Touring Exhibitions</a></p>
        • created2025-06-10 11:29:43
        • created_by2
        • modified2025-09-15 11:29:26
        • modified_by4
        • status1
    • StoryRelate(empty)
    • StoryCategory(array)
      • 0(array)
        • id1
        • nameExhibitions
        • meta_titleExhibitions
        • meta_keywords(null)
        • meta_description
        • slugexhibitions
        • story_post_count3
        • created2025-06-01 19:19:15
        • created_by2
        • modified2025-09-17 20:06:47
        • modified_by2
        • status1
        • StoryCategoriesStoryPost(array)
          • id79
          • story_category_id1
          • story_post_id3
    • Medium(empty)
    • Tag(empty)
  • 1(array)
    • StoryPost(array)
      • id2
      • uid833822273
      • date2025-06-02
      • time14:15:00
      • tags
      • titleOur Space in Britain
      • slugour-space-in-britain
      • collection_id(null)
      • theme_id(null)
      • keyword
      • frontpage_element_id(null)
      • image_id6815
      • excerpt<p>An Exhibition by Migrant/Immigrant and Black Women at Camerwork<br /> 15 October – 5 November 1987</p>
      • meta_title
      • meta_keywords
      • meta_description
      • created2025-06-02 14:22:37
      • created_by2
      • modified2025-09-15 12:34:53
      • modified_by4
      • sorting50
      • status1
      • date_time2025-06-02 14:15:00
    • Collection(array)
      • id(null)
      • name(null)
    • Theme(array)
      • id(null)
      • name(null)
    • CreatedBy(array)
      • id2
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      • uid923208657
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      • emailondra@on-idle.com
      • password0132f5ed37851be492e7631f556e0a8a911382e6
      • first_nameOndrej
      • last_nameNedvidek
      • localeeng
      • created2018-03-19 07:48:36
      • created_by(null)
      • modified2018-03-19 07:48:36
      • modified_by(null)
      • notify_me(true)
      • status1
      • nameOndrej Nedvidek
    • ModifiedBy(array)
      • id4
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      • role_id1
      • uid328780337
      • avatar_id(null)
      • emailane@on-idle.com
      • password0132f5ed37851be492e7631f556e0a8a911382e6
      • first_nameAné-Mari
      • last_namePeter
      • localeeng
      • created2018-03-19 07:48:36
      • created_by(null)
      • modified2025-06-04 13:52:05
      • modified_by2
      • notify_me(true)
      • status1
      • nameAné-Mari Peter
    • StoryContent(array)
      • 0(array)
        • id8
        • story_post_id2
        • image_id(null)
        • image_alignmentnone
        • image_link
        • document_id(null)
        • frontpage_element_id(null)
        • story_gallery_id3
        • embed
        • uid305548800
        • sorting1
        • title
        • content
        • created2025-06-02 14:26:23
        • created_by2
        • modified2025-06-24 15:16:38
        • modified_by2
        • status1
      • 1(array)
        • id9
        • story_post_id2
        • image_id(null)
        • image_alignmentnone
        • image_link
        • document_id(null)
        • frontpage_element_id(null)
        • story_gallery_id(null)
        • embed
        • uid103822988
        • sorting2
        • title
        • content<p>In 1987 there were around 250,000 migrants in London, whose existence is was recognized. A group of women, who met regularly at Camerawork from June 1986, worked towards an exhibition of images which reflect their cultures. Their interest had been to work on something which would take into account the views and experiences of women with different cultural backgrounds and whose experiences remain largely invisible to the dominant British culture. </p>
        • created2025-06-02 14:26:38
        • created_by2
        • modified2025-06-24 15:16:38
        • modified_by2
        • status1
      • 2(array)
        • id10
        • story_post_id2
        • image_id(null)
        • image_alignmentnone
        • image_link
        • document_id(null)
        • frontpage_element_id(null)
        • story_gallery_id4
        • embed
        • uid953593516
        • sorting3
        • title
        • content
        • created2025-06-02 14:28:52
        • created_by2
        • modified2025-06-24 15:16:38
        • modified_by2
        • status1
      • 3(array)
        • id11
        • story_post_id2
        • image_id(null)
        • image_alignmentnone
        • image_link
        • document_id(null)
        • frontpage_element_id(null)
        • story_gallery_id(null)
        • embed
        • uid368291997
        • sorting4
        • title
        • content<p>Prior to the workshops at Camerawork, a space for migrant, immigrant and Black women to share their skills in photography did not exist in London. They found it useful to work around a theme which would inspire and link their work, and chose ’Our Space in Britain’ as a theme, because it allowed room for a varied range of contributions. The exhibition of photography, slides, installation work and video included work from Jacqueline Moran Daubercies, Joy Kahumbo, Mariagrazia Pecoraro, Xenia Demetriou, Catarina dos Santos, Maria Luiza M. Carvalho . Semina Khanun, Annette Sylvester and Lucia Ines Molina <br /> A series of talks and workshops, along with a catalogue, extended discussions around the images produced about/by immigrants in London, inviting discussion from a broader group of immigrant women outside the visual milieu.</p>
        • created2025-06-02 14:29:10
        • created_by2
        • modified2025-06-24 15:16:38
        • modified_by2
        • status1
      • 4(array)
        • id12
        • story_post_id2
        • image_id(null)
        • image_alignmentnone
        • image_link
        • document_id(null)
        • frontpage_element_id(null)
        • story_gallery_id(null)
        • embed
        • uid102183342
        • sorting5
        • title
        • content<h3>02. <br /> Xenia Demetriou </h3> <p>The title I have chosen to head this body of work, ‘They make kebabs…don’t they?’ may seen somewhat confusing. However it was been my intention throughout this work to move away from stereotypical imagery surrounding the Greek Cypriot community. </p> <scribe-shadow id="crxjs-ext" style="position: fixed; width: 0px; height: 0px; top: 0px; left: 0px; z-index: 2147483647; overflow: visible; visibility: visible;"></scribe-shadow>
        • created2025-06-02 14:29:35
        • created_by2
        • modified2025-06-24 15:16:38
        • modified_by2
        • status1
      • 5(array)
        • id13
        • story_post_id2
        • image_id(null)
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        • image_link
        • document_id(null)
        • frontpage_element_id(null)
        • story_gallery_id5
        • embed
        • uid368776268
        • sorting6
        • title
        • content
        • created2025-06-02 14:32:09
        • created_by2
        • modified2025-06-24 15:16:38
        • modified_by2
        • status1
      • 6(array)
        • id14
        • story_post_id2
        • image_id(null)
        • image_alignmentnone
        • image_link
        • document_id(null)
        • frontpage_element_id(null)
        • story_gallery_id(null)
        • embed
        • uid397415684
        • sorting7
        • title
        • content<h3>03.<br /> Jacqueline Moran-Daubercies </h3> <p>Orginally from Puerto Rico, I have been living in London for the last six years. I started doing photography in Puerto Rico and have continued this interest here in Britain. </p> <p>I have been working in the Latin American community in London for the last three years, specially with women and children. </p>
        • created2025-06-02 14:32:48
        • created_by2
        • modified2025-06-24 15:16:38
        • modified_by2
        • status1
      • 7(array)
        • id15
        • story_post_id2
        • image_id(null)
        • image_alignmentnone
        • image_link
        • document_id(null)
        • frontpage_element_id(null)
        • story_gallery_id6
        • embed
        • uid837985692
        • sorting8
        • title
        • content
        • created2025-06-02 14:36:33
        • created_by2
        • modified2025-06-24 15:16:38
        • modified_by2
        • status1
      • 8(array)
        • id16
        • story_post_id2
        • image_id(null)
        • image_alignmentnone
        • image_link
        • document_id(null)
        • frontpage_element_id(null)
        • story_gallery_id(null)
        • embed
        • uid443605544
        • sorting9
        • title
        • content<h3>04.<br /> Joy Kahumbu </h3> <p>‘My Space in Britain’: This title could encompass the many different areas of my life here: where I live, where I work, and where I socialise, for example. But I have chosen to focus on the Scottish island where I take my holidays because, ideally, this is where I would like to spend most of my time. </p>
        • created2025-06-02 14:37:14
        • created_by2
        • modified2025-06-24 15:16:38
        • modified_by4
        • status1
      • 9(array)
        • id26
        • story_post_id2
        • image_id6800
        • image_alignmentnone
        • image_link
        • document_id(null)
        • frontpage_element_id(null)
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        • embed
        • uid488929774
        • sorting10
        • title
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        • created2025-06-24 15:16:20
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        • modified2025-06-24 15:16:38
        • modified_by4
        • status1
      • 10(array)
        • id17
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        • story_gallery_id(null)
        • embed
        • uid810888562
        • sorting11
        • title
        • content<h3>05.<br /> Lucia Ines Molina </h3> <p>I was born in Colombia, South America in 1937. I had always taken photographs as a hobby or during family occasions. I had also used slides as a teaching aid whilst working with high school students, teaching history of art. </p>
        • created2025-06-02 14:37:47
        • created_by2
        • modified2025-06-24 15:16:38
        • modified_by2
        • status1
      • 11(array)
        • id18
        • story_post_id2
        • image_id(null)
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        • story_gallery_id7
        • embed
        • uid324970548
        • sorting12
        • title
        • content
        • created2025-06-02 14:39:53
        • created_by2
        • modified2025-06-24 15:16:38
        • modified_by2
        • status1
      • 12(array)
        • id19
        • story_post_id2
        • image_id(null)
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        • image_link
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        • frontpage_element_id(null)
        • story_gallery_id(null)
        • embed
        • uid529924177
        • sorting13
        • title
        • content<h3>06.<br /> Mariagrazia Pecoraro </h3> <p>Born in Genoa, Northern Italy, in 1959, of Sicilian family. Came to England in 1979 and studied art at Sir John Cass School of Art and Design and at Goldsmoths’ College. </p>
        • created2025-06-02 14:40:26
        • created_by2
        • modified2025-06-24 15:16:38
        • modified_by2
        • status1
      • 13(array)
        • id20
        • story_post_id2
        • image_id(null)
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        • image_link
        • document_id(null)
        • frontpage_element_id(null)
        • story_gallery_id8
        • embed
        • uid608652384
        • sorting14
        • title
        • content
        • created2025-06-02 14:42:02
        • created_by2
        • modified2025-06-24 15:16:38
        • modified_by2
        • status1
      • 14(array)
        • id21
        • story_post_id2
        • image_id(null)
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        • frontpage_element_id(null)
        • story_gallery_id(null)
        • embed
        • uid237157646
        • sorting15
        • title
        • content<h3>07.<br /> Catarina dos Santos </h3> <p>I was born in Portugal, I lived with my grandmother for five years. The culture I came from did not seem to exist when I came to England. I learnt things the English way and that was that. Now that I am a practising artist I can use my work to express the feelings and impressions I have of my past experiences. </p>
        • created2025-06-02 14:42:37
        • created_by2
        • modified2025-06-24 15:16:38
        • modified_by2
        • status1
      • 15(array)
        • id22
        • story_post_id2
        • image_id(null)
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        • embed
        • uid922210603
        • sorting16
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        • content
        • created2025-06-02 14:46:16
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        • modified2025-06-24 15:16:38
        • modified_by2
        • status1
      • 16(array)
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        • image_id(null)
        • image_alignmentnone
        • image_link
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        • frontpage_element_id(null)
        • story_gallery_id(null)
        • embed
        • uid747886987
        • sorting17
        • title
        • content<h3>08.<br /> Lucy Ann Sylvester </h3> <p>As a Black Woman who will be taking photographs for a long time to come, the lack of material about Black people being affectionate  is very obvious. Photographs which show Black lesbian Women are almost non-existent. </p>
        • created2025-06-02 14:46:42
        • created_by2
        • modified2025-06-24 15:16:38
        • modified_by2
        • status1
      • 17(array)
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        • image_id(null)
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        • embed
        • uid868116341
        • sorting18
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        • content
        • created2025-06-02 14:48:06
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        • modified2025-06-24 15:16:38
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        • status1
    • StoryRelate(empty)
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        • id1
        • nameExhibitions
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        • meta_keywords(null)
        • meta_description
        • slugexhibitions
        • story_post_count3
        • created2025-06-01 19:19:15
        • created_by2
        • modified2025-09-17 20:06:47
        • modified_by2
        • status1
        • StoryCategoriesStoryPost(array)
          • id80
          • story_category_id1
          • story_post_id2
    • Medium(empty)
    • Tag(empty)
  • 2(array)
    • StoryPost(array)
      • id12
      • uid926177973
      • date2025-09-12
      • time11:30:00
      • tags
      • titleA Document on Chile
      • sluga-document-on-chile
      • collection_id(null)
      • theme_id(null)
      • keyword
      • frontpage_element_id(null)
      • image_id6937
      • excerpt<p>A Document on Chile is a collaborative exhibition created in 1978 by photomontage artist Peter Kennard and journalist Ric Sissons in response to the 1973 military coup in Chile. </p>
      • meta_title
      • meta_keywords
      • meta_description
      • created2025-09-12 11:34:28
      • created_by2
      • modified2025-09-15 12:43:27
      • modified_by4
      • sorting60
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      • date_time2025-09-12 11:30:00
    • Collection(array)
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      • emailondra@on-idle.com
      • password0132f5ed37851be492e7631f556e0a8a911382e6
      • first_nameOndrej
      • last_nameNedvidek
      • localeeng
      • created2018-03-19 07:48:36
      • created_by(null)
      • modified2018-03-19 07:48:36
      • modified_by(null)
      • notify_me(true)
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      • nameOndrej Nedvidek
    • ModifiedBy(array)
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      • emailane@on-idle.com
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      • first_nameAné-Mari
      • last_namePeter
      • localeeng
      • created2018-03-19 07:48:36
      • created_by(null)
      • modified2025-06-04 13:52:05
      • modified_by2
      • notify_me(true)
      • status1
      • nameAné-Mari Peter
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        • embed
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        • title
        • content<h2>A Half Moon Photography Workshop Touring Exhibition</h2>
        • created2025-09-12 11:39:16
        • created_by2
        • modified2025-09-12 11:39:16
        • modified_by2
        • status1
      • 1(array)
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        • image_id6938
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        • embed
        • uid444358121
        • sorting2
        • title
        • content<p>Exhibition Poster, A Document on Chile, Peter Kennard and Ric Sissons, Half Moon Gallery, London,1978</p>
        • created2025-09-12 11:43:43
        • created_by2
        • modified2025-09-12 11:43:57
        • modified_by2
        • status1
      • 2(array)
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        • embed
        • uid435486777
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        • content<p>A Document on Chile is a collaborative exhibition created in 1978 by photomontage artist Peter Kennard and journalist Ric Sissons in response to the 1973 military coup in Chile. Kennard created thirty photomontages in the tradition of the anti-fascist montage artist John Heartfield, using striking visual narratives to expose state violence, repression, and human rights abuses by the Pinochet Regime. Sissons contributed explanatory, historical, and political commentary, ensuring audiences grasped both the immediate and global significance of the events portrayed. Together they recounted Chile’s history, from the years prior to Allende, through his Popular Unity government, to the brutal repression under Pinochet’s regime.</p> <p>Conceived as a touring exhibition and one of the pioneering laminated shows by the Half Moon Photography Workshop, the images and texts were mounted on card panels heat-pressed between thin plastic sheets. This durable, portable format enabled the exhibition to travel widely across the UK, reaching diverse audiences beyond traditional gallery spaces. The touring nature was integral to fostering support for the Chilean exile diaspora and raising awareness of the abuses under Pinochet. It played a vital role in UK solidarity campaigns during the 1970s and 1980s by making political art accessible and sustaining resistance through powerful visual storytelling.</p>
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        • content<p>A Document on Chile, Peter Kennard and Ric Sissons, Camden Town Hall, London, 1978.</p>
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        • content<h3>The thirty works of photomontage and text fall into three groups</h3> <p>1.    The years prior to the 1970 Presidential election victory of Allende.</p>
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        • created2025-09-12 12:00:48
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        • content<p>2.    The three years of the ‘Unidad Popular’ Government of Allende that culminated in the armed forces seizing power through a coup d’état.</p>
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        • content<p>3.    The years since the death of Allende which have witnessed terrible repression against the Chilean workers and peasants.</p>
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        • content<p>The combination of Kennard’s searing photomontages and Sissons’ incisive text made the exhibition a compelling fusion of art and journalism, exposing injustice and mobilising international support. Their work remained politically charged over decades, enduring censorship yet continuing to inspire activism by visually communicating ongoing struggles related to democracy, inequality, and repression in Chile and beyond.</p>
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        • content<p>Peter Kennard, Chile, September 11 1973</p>
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        • content<p>In 1985, Peter Kennard held a retrospective exhibition titled Images Against War 1965-1985 at the Barbican Arts Centre in London. However, the day before it opened, Henry Wrong, the centre’s director, demanded the removal of two photomontages Kennard had created in 1973 in response to the Chilean military coup. The reason for this censorship was that Midland Bank (now HSBC) had booked the Barbican cinema for a meeting of Pinochet's finance officials and British bankers, who would have to walk past the exhibition. Kennard refused to remove the works, and neither did the staff who had installed the exhibition. The following morning, the larger image was covered with a moth-eaten blanket hung from the ceiling, and the smaller piece was taken down.</p>
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        • content<p>This act of censorship sparked public outcry, with commentators highlighting how the Barbican effectively bowed to corporate interests connected to the regime. Kennard chose to leave the exhibition as it was, allowing the blanket and empty space to stand as an additional statement against the coup, its financial backers, and the silencing of dissent.</p>
        • created2025-09-12 12:22:30
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        • content<p>Peter Kennard, News Cutting, Morning Star, July 17 1985</p>
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        • content<p>Kennard’s photomontages continued to serve as powerful symbols of resistance well beyond the 1970s. His striking images were frequently used as placards and posters in demonstrations throughout the 1980s and the 1990s. Notably, in December 1998, his artwork was prominent during protests outside London’s high-security Belmarsh Magistrates Court when Augusto Pinochet was arrested under an international warrant.</p>
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        • content<p>Peter Kennard (centre) and others behind images from his ‘Unwords’ series as they await Pinochet’s arrival, Belmarsh magistrates, 12 December, 1998.</p>
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        • content<p>The placards resonated deeply with Chilean exiles and activists, visually connecting the protest to the regime’s violent history. By distilling complex political realities into visceral and accessible imagery, Kennard’s photomontages, connect political art with the ongoing fight for justice and human rights. </p> <p>This legacy was reaffirmed in 2023 when A Document on Chile was restaged at Four Corners Gallery as part of Chile 50: Political Art, Solidarity and Resistance. The exhibition juxtaposed Kennard’s 1970s photomontages with arpilleras, hand-sewn textile artworks made by Chilean women during the dictatorship, and  capturing the large-scale social protests of 2019-2022. By placing Kennard’s images alongside contemporary photographs of ongoing political struggles, the exhibition revealed the continuities of oppression, resistance, and solidarity in Chile’s history. It demonstrated how Kennard’s visual language of critique and activism still speaks to today’s movements for democracy and justice, emphasising the sustained power of political art to inform, mobilise, and inspire across generations.</p>
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    • 1CORE/basics.php
    • 2CORE/Core/App.php
    • 3CORE/Core/Configure.php
    • 4CORE/Core/CakePlugin.php
    • 5CORE/Event/CakeEventListener.php
    • 6CORE/Event/CakeEvent.php
    • 7CORE/Event/CakeEventManager.php
    • 8CORE/Core/CakeObject.php
  • Routing(array)
    • 0CORE/Routing/Dispatcher.php
    • 1CORE/Routing/Filter/AssetDispatcher.php
    • 2CORE/Routing/DispatcherFilter.php
    • 3CORE/Routing/Filter/CacheDispatcher.php
    • 4CORE/Routing/Router.php
    • 5CORE/Routing/Route/CakeRoute.php
  • Utility(array)
    • 0CORE/Utility/Hash.php
    • 1CORE/Utility/Inflector.php
    • 2CORE/Utility/ObjectCollection.php
    • 3CORE/Utility/Debugger.php
    • 4CORE/Utility/CakeText.php
    • 5CORE/Utility/ClassRegistry.php
    • 6CORE/Utility/Set.php
  • View(array)
    • 0CORE/View/View.php
    • 1CORE/View/HelperCollection.php
• app(array)
  • Config(array)
    • 0APP/Config/core.php
    • 1APP/Config/bootstrap.php
    • 2APP/Config/config.php
    • 3APP/Config/routes.php
    • 4APP/Config/database.php
  • Controller(array)
    • 0APP/Controller/ApplicationController.php
  • Datasource(array)
    • 0APP/Lib/Model/Datasource/Database/Mysql.php
  • Model(array)
    • 0APP/Model/ApplicationModel.php
  • Other(array)
    • 0APP/webroot/index.php
• plugins(array)
  • Admin(array)
    • Config(array)
      • 0Admin/Config/bootstrap.php
      • 1Admin/Config/routes.php
  • App(array)
    • Config(array)
      • 0App/Config/bootstrap.php
      • 1App/Config/routes.php
    • Configure(array)
      • 0App/Lib/Configure/YamlReader.php
    • Model(array)
      • 0App/Model/AppPreference.php
      • 1App/Model/AppModel.php
      • 2App/Model/AppPreferenceExpanded.php
      • 3App/Model/Tag.php
      • 4App/Model/TagObject.php
    • Behavior(array)
      • 0App/Model/Behavior/ExpandableBehavior.php
      • 1App/Model/Behavior/SluggableBehavior.php
      • 2App/Model/Behavior/TaggableBehavior.php
      • 3App/Model/Behavior/UniqueKeyBehavior.php
      • 4App/Model/Behavior/PurifyBehavior.php
      • 5App/Model/Behavior/IncrementalBehavior.php
      • 6App/Model/Behavior/AppSerializeBehavior.php
    • Plugin(array)
      • 0App/Vendor/htmlpurifier/HTMLPurifier.auto.php
      • 1App/Vendor/htmlpurifier/HTMLPurifier/Bootstrap.php
      • 2App/Vendor/htmlpurifier/HTMLPurifier.autoload.php
    • Controller(array)
      • 0App/Controller/AppController.php
    • Component(array)
      • 0App/Controller/Component/AppComponent.php
  • Asset(array)
    • Config(array)
      • 0Asset/Config/bootstrap.php
      • 1Asset/Config/routes.php
  • AssetAdmin(array)
    • Config(array)
      • 0AssetAdmin/Config/bootstrap.php
      • 1AssetAdmin/Config/routes.php
  • Blog(array)
    • Config(array)
      • 0Blog/Config/bootstrap.php
      • 1Blog/Config/routes.php
    • Plugin(array)
      • 0Blog/Lib/Routing/Route/BlogPostRouteView.php
      • 1Blog/Lib/Routing/Route/BlogPostRouteIndex.php
  • BlogAdmin(array)
    • Config(array)
      • 0BlogAdmin/Config/bootstrap.php
      • 1BlogAdmin/Config/routes.php
  • DebugKit(array)
    • Component(array)
      • 0DebugKit/Controller/Component/ToolbarComponent.php
    • Plugin(array)
      • 0DebugKit/Lib/DebugMemory.php
      • 1DebugKit/Lib/Panel/HistoryPanel.php
      • 2DebugKit/Lib/DebugPanel.php
      • 3DebugKit/Lib/Panel/SessionPanel.php
      • 4DebugKit/Lib/Panel/RequestPanel.php
      • 5DebugKit/Lib/Panel/SqlLogPanel.php
      • 6DebugKit/Lib/Panel/TimerPanel.php
      • 7DebugKit/Lib/Panel/LogPanel.php
      • 8DebugKit/Lib/Log/Engine/DebugKitLog.php
      • 9DebugKit/Lib/Panel/VariablesPanel.php
      • 10DebugKit/Lib/Panel/EnvironmentPanel.php
      • 11DebugKit/Lib/Panel/IncludePanel.php
      • 12DebugKit/Lib/DebugTimer.php
  • Frontpage(array)
    • Config(array)
      • 0Frontpage/Config/bootstrap.php
      • 1Frontpage/Config/routes.php
    • Plugin(array)
      • 0Frontpage/Lib/Routing/Route/FrontpagePageRoute.php
      • 1Frontpage/Lib/View/FrontpageView.php
    • Component(array)
      • 0Frontpage/Controller/Component/FrontpageComponent.php
      • 1Frontpage/Controller/Component/AntispamComponent.php
    • Model(array)
      • 0Frontpage/Model/FrontpagePage.php
      • 1Frontpage/Model/FrontpageAppModel.php
      • 2Frontpage/Model/FrontpageRewrite.php
      • 3Frontpage/Model/FrontpageContainer.php
      • 4Frontpage/Model/FrontpageRow.php
      • 5Frontpage/Model/FrontpageCol.php
      • 6Frontpage/Model/FrontpageContent.php
  • FrontpageAdmin(array)
    • Config(array)
      • 0FrontpageAdmin/Config/bootstrap.php
      • 1FrontpageAdmin/Config/routes.php
  • Opauth(array)
    • Config(array)
      • 0Opauth/Config/bootstrap.php
      • 1Opauth/Config/routes.php
  • Project(array)
    • Config(array)
      • 0Project/Config/routes.php
    • Model(array)
      • 0Project/Model/Collection.php
      • 1Project/Model/ProjectAppModel.php
      • 2Project/Model/Theme.php
      • 3Project/Model/Medium.php
  • ProjectAdmin(array)
    • Config(array)
      • 0ProjectAdmin/Config/bootstrap.php
      • 1ProjectAdmin/Config/routes.php
  • Sentry(array)
    • Plugin(array)
      • 0Sentry/Lib/SentryErrorHandler.php
  • Story(array)
    • Config(array)
      • 0Story/Config/bootstrap.php
      • 1Story/Config/routes.php
    • Plugin(array)
      • 0Story/Lib/Routing/Route/StoryPostRouteView.php
      • 1Story/Lib/Routing/Route/StoryPostRouteIndex.php
    • Model(array)
      • 0Story/Model/StoryPost.php
      • 1Story/Model/StoryAppModel.php
      • 2Story/Model/StoryCategory.php
      • 3Story/Model/StoryContent.php
    • Controller(array)
      • 0Story/Controller/StoryPostsController.php
      • 1Story/Controller/StoryAppController.php
  • StoryAdmin(array)
    • Config(array)
      • 0StoryAdmin/Config/bootstrap.php
      • 1StoryAdmin/Config/routes.php
  • User(array)
    • Behavior(array)
      • 0User/Model/Behavior/LoggingBehavior.php
    • Model(array)
      • 0User/Model/User.php
  • UserAdmin(array)
    • Config(array)
      • 0UserAdmin/Config/bootstrap.php
      • 1UserAdmin/Config/routes.php