
Oral History Excerpt - Jill Pack
Pack reflects on an initiative with group of women who were published in Camerawork and later rep...
Oral History Excerpt - Wendy Ewald
Ewald discusses early exhibitions at Camerawork, along with her interest in different types of ph...
Oral History Excerpt - Paul Trevor
Trevor discussing the original intent of Camerawork’s first issue, which focused on documentary p...
Oral History Excerpt - Paul Trevor
The inspiration for the ‘Mass Observation’ issue of Camerawork came out of a Royal College of Art...
Oral History Excerpt - Paul Trevor
Trevor discussing many of the contemporaries that worked in or with Camerawork Magazine through t...
Oral History Excerpt - Paul Trevor
Trevor discussing the spirit of the magazine and its roots in the community, and representing the...
Oral History Excerpt - Paul Trevor
Trevor discussing Camerawork Magazine’s promotion of British documentary photography.
Oral History Excerpt - Paul Trevor
Trevor discussing the 70s zeitgeist and political climate that allowed for Camerawork to thrive.
Oral History Excerpt - Paul Trevor
Trevor discussing the political leanings of the Camerawork staff, along his creation of Camerawor...
Oral History Excerpt - Paul Trevor
Trevor discussing Half Moon’s usage of flyposting, particularly in advertising exhibitions and fo...
Oral History Excerpt - Paul Trevor
Trevor discussing the 8th issue of Camerawork Magazine which featured his photography of the Batt...
Oral History Excerpt - Paul Trevor
After the success of the Lewisham issue, Camerawork Magazine evolved into single issues like Mass...
Oral History Excerpt - Paul Trevor
Trevor discussing the content of Camerawork Magazine’s anti-racist stance in comparison to the ma...
Oral History Excerpt - Peter Kennard
Kennard describes the power of Camerawork as a collective organisation that was able to operate n...
Oral History Excerpt - Peter Kennard
Kennard describes how his photomontage work was accepted within Camerawork / HMPW, despite this s...