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Archive

280 results


All; keyword:City of Birmingham Polytechnic
Sort By: Name, Origination Date, Date Added
0000835_HalfmoonCamerawork_PeoplePortrait_EdBarber_Invoice_PortsmouthCityMuseum_1of4.jpg
Document

People Portraits - Ed Barber

Invoice from City of Portsmouth - 1 of 4 stapled documents
ages, faces, interiors, races, trades
ages, faces, interiors, races, trades
0000836_HalfmoonCamerawork_PeoplePortrait_EdBarber_Invoice_PortsmouthCityMuseum_2of4.jpg
Document

People Portraits - Ed Barber

Invoice from City of Portsmouth - 2 of 4 stapled documents
ages, faces, interiors, races, trades
ages, faces, interiors, races, trades
0000837_HalfmoonCamerawork_PeoplePortrait_EdBarber_Invoice_PortsmouthCityMuseum_3of4.jpg
Document

People Portraits - Ed Barber

Invoice from City of Portsmouth - 3 of 4 stapled documents
ages, faces, interiors, races, trades
ages, faces, interiors, races, trades
0000838_HalfmoonCamerawork_PeoplePortrait_EdBarber_Invoice_PortsmouthCityMuseum_4of4.jpg
Document

People Portraits - Ed Barber

Invoice from City of Portsmouth - 4 of 4 stapled documents
ages, faces, interiors, races, trades
ages, faces, interiors, races, trades
0000032_Camerawork_Magazine_Issue31_1985_front.jpg
Magazine

Camerawork Magazine - Issue 31

Issue 31:Food: Images and Politics
1984, a few hotheads, advertising, agriculture, archive
1984, a few hotheads, advertising, agriculture, archive, black audio film collective, body image, campaign, coal, colonial legacy, colonialism, colonies, community, consumption, control, desire, distribution, domination, easington, empire, ethnic, factory, farming, federation of community photography, fleet street, food, french, fruit preservers, guilt, gwent collage of higher education, history, import, indian, industrial dispute, industry, international women’s day, lipton, meat, middlesex, mining, naughty but nice, newport museum and art gallery, newport survey, orwell, packaging, photography course, photomontage, pleasure, political struggle, postcards, posters, preserves, production, racism, rural life, sexual violence, sexuality, signs of empire and images of nationality, slaughterhouse, socialist, sprouts, street market, strike, students, sugar, supermarket, tea, the commodities project, tondu photo workshop, tradition, vegetarian, weight, west midlands arts, women, women workers, working class, workshop, world
0001371_HalfmoonCamerawork_Photograph_CameraworkMeeting_WendyWallace_ShirleyRead.jpg
Photograph

Mike Goldwater Collection

Autumn 1977; A meeting for Camerawork Magazine at 119-121 Roman Road, with volunteer Wendy Wallac...
magazine folding, magazine layout, meetings, office, typing
magazine folding, magazine layout, meetings, office, typing
0001374_HalfmoonCamerawork_Photograph_CameraworkMeeting_WendyWallace_ShirleyRead_02.jpg
Photograph

Mike Goldwater Collection

Autumn 1977. A meeting for Camerawork Magazine at 119 Roman Road, with volunteer Wendy Wallace, a...
magazine folding, magazine layout, meetings, office, typing
magazine folding, magazine layout, meetings, office, typing
0001987_Camerawork_Policy_GalleryProgramme_85_86_page01.jpg
Document

Organisational - Half Moon Photography Workshop...

Gallery Programme with details of exhibitions held at Camerawork in 1985-86 including attendance ...
gallery programme
gallery programme
0002779_FourCorners_Document_SheffieldCityPolytechnicLetter_1981_01.jpg
Document

Organisational - Four Corners

Typed letter and comps slip from Sylvia Harvey of Sheffield polytechnic about BFI letter
bfi, cinema, film making, four corners, grant
bfi, cinema, film making, four corners, grant, workshop
0003316_FourCorners_Document_SheffieldCityPolytechnicLetter_1981_02.jpg
Document

Organisational - Four Corners

Typed letter and comps slip from Sylvia Harvey of Sheffield polytechnic about BFI letter. Page 2 ...
bfi, cinema, film making, four corners, grant
bfi, cinema, film making, four corners, grant, workshop
0000030_Camerawork_Magazine_Issue30_1984_cover.jpg
Magazine

Camerawork Magazine - Issue 30

Issue 30: Black Culture, Pictures of women, Beyond the Pleasure Principle, Pop Videos, Images of War
act of looking, advertising, american, anthropology, appropriation
act of looking, advertising, american, anthropology, appropriation, archive, art in the age of the mass media, arts and action, auca, berlin, black, body, cable, cable development, captions, channel 4, civil war, collection, community, conflict, culture, darkroom, david hockney, desire, discourse, diy, drawing, el salvadorian film institute, elizabeth elliot, ethnography, exhibition, exhibition texts, fact, falklands, feminist, film, hayward gallery, heroism, hierarchy, history, hockney at the hayward, imperial war museum, independent film, independent video, indians, institute of contemporary art, loli galvar, love, mapplethorpe at the ica, media, mtv, music video, narrative, national identity, native, painting, patriarchy, photography, photomontage, pictures of women, pleasure principle, political, postcard, precarious masculinity, printing, promo video, promotion, promotion protecting photographs, record industry, record sales, reggae, renovation, representation, restoration, rising red star advertising agency, seminar, sexuality, sound systems, south hill park arts centre, stereotypes, still image, story, sudhost express, technology, television, television industry, text panels, the eleventh hour, the people will win, the savage my kinsman, time, video, visual perception, war, war photography, women, writing for exhibitions
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