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28 results


All; keyword:Robert Radford
Sort By: Name, Origination Date, Date Added
0001990_Camerawork_Policy_GalleryProgramme_86_87_page01.jpg
Document

Organisational - Half Moon Photography Workshop...

Gallery Programme with details of exhibitions held at Camerawork in 1986-87 including attendance ...
gallery programme
gallery programme
0000032_Camerawork_Magazine_Issue31_1985_front.jpg
Magazine

Camerawork Magazine - Issue 31

Issue 31:Food: Images and Politics
1984, a few hotheads, advertising, agriculture, archive
1984, a few hotheads, advertising, agriculture, archive, black audio film collective, body image, campaign, coal, colonial legacy, colonialism, colonies, community, consumption, control, desire, distribution, domination, easington, empire, ethnic, factory, farming, federation of community photography, fleet street, food, french, fruit preservers, guilt, gwent collage of higher education, history, import, indian, industrial dispute, industry, international women’s day, lipton, meat, middlesex, mining, naughty but nice, newport museum and art gallery, newport survey, orwell, packaging, photography course, photomontage, pleasure, political struggle, postcards, posters, preserves, production, racism, rural life, sexual violence, sexuality, signs of empire and images of nationality, slaughterhouse, socialist, sprouts, street market, strike, students, sugar, supermarket, tea, the commodities project, tondu photo workshop, tradition, vegetarian, weight, west midlands arts, women, women workers, working class, workshop, world
0000033_Camerawork_Magazine_Issue32_1985_front.jpg
Magazine

Camerawork Magazine - Issue 32

Issue 32: Science and Technology
19th c, advertisement, american, apalachia, arts council of great britain
19th c, advertisement, american, apalachia, arts council of great britain, body, brunel, canadian, classroom, computer, conference, cultures, discipline, documentary, education, erotic, fantasies, female, foucault, gender roles, glamour, great western railway, health, history, illumination, indians, industrialisation, isolation, jo spence, kingdom, knowledge, light, maxism, model, native, nineteenth century, nude, objectivity, panopticon, photographers in education, polysnappers, post-modernism, power, press, private, progress, public, punishment, rationality, records, review of work 1950 – 85, rhetoric, role reversal, science, scientific frameworks, sculpture, semiotics, sexual identity, sexuality, steamship, stereotype, stories, surveillance, technology, television mythologies, truth, typist, underprivileged, victorian, visual display unit, wellbeing, women, word processing
0000030_Camerawork_Magazine_Issue30_1984_cover.jpg
Magazine

Camerawork Magazine - Issue 30

Issue 30: Black Culture, Pictures of women, Beyond the Pleasure Principle, Pop Videos, Images of War
act of looking, advertising, american, anthropology, appropriation
act of looking, advertising, american, anthropology, appropriation, archive, art in the age of the mass media, arts and action, auca, berlin, black, body, cable, cable development, captions, channel 4, civil war, collection, community, conflict, culture, darkroom, david hockney, desire, discourse, diy, drawing, el salvadorian film institute, elizabeth elliot, ethnography, exhibition, exhibition texts, fact, falklands, feminist, film, hayward gallery, heroism, hierarchy, history, hockney at the hayward, imperial war museum, independent film, independent video, indians, institute of contemporary art, loli galvar, love, mapplethorpe at the ica, media, mtv, music video, narrative, national identity, native, painting, patriarchy, photography, photomontage, pictures of women, pleasure principle, political, postcard, precarious masculinity, printing, promo video, promotion, promotion protecting photographs, record industry, record sales, reggae, renovation, representation, restoration, rising red star advertising agency, seminar, sexuality, sound systems, south hill park arts centre, stereotypes, still image, story, sudhost express, technology, television, television industry, text panels, the eleventh hour, the people will win, the savage my kinsman, time, video, visual perception, war, war photography, women, writing for exhibitions
0000029_Camerawork_Magazine_Issue29_1983_cover.jpg
Magazine

Camerawork Magazine - Issue 29

Issue 29: Images of the Left, McClaren on Cable, Photomontage, Stuart Hall, Video
1981, advertising, album covers, alternative, atrocity
1981, advertising, album covers, alternative, atrocity, band, beirut, beta, branding, broadcast, cable, campaign, colin roach, committing photography, community activism, community arts, community practice, conflict, constraints, darkroom, documentary, documentary realism, east london media forum, economic recession, edinburgh television festival, entertainment, exit photography group, factory records, fashion, female representation, film, format, funding, genocide, graphic design, ideology, inner cities, interview, interviews, invasion, isaac julien, israel, labour, labour party, lebanon, left, london video arts, malcolm mclauren, milton keynes, montage, mtv, music, nam june paik, network, new media, new order, photographing television, photojournalism, picture agency, political photograph, pop, popular, poverty, press, promotion, record industry, record sleeve, rentasnap, rio cinema, riots, self-portrait, simulation, slide, socialism, socialist realism, stuart hall, studio, style, survival programmes, taking tv pictures, tape/slide, television, the photo co-op, vhs, video, video art, video distribution, video exhibition, war, women’s photography, working class, youth vote, zionism
0000898_HalfmoonCamerawork__Booklet_IleaContact_2Dec83_page04.jpg
Booklet

Guatemala: A Testimonial - Susan Meiselas

Inner London Education Authority's magazine December 1983 with a brief mention of the exhibition ...
guatemala, press
guatemala, press
0000026_Camerawork_Magazine_Issue25_1982_front.jpg
Magazine

Camerawork Magazine - Issue 25

Issue 25: Fragmentation, Sexuality and Images, Homo Erotica, Black Culture, German Montage
african women, afro caribbean, aiz photojournal, arthur tress, black culture
african women, afro caribbean, aiz photojournal, arthur tress, black culture, black male, buchi emecherta, camera lucida, capitalism, china, codes, design, erotica, errol francis, ethnicity, feminist, feminist erotica, fetishism, fragmentation, gay, german montage, germany, herman leupold, homo erotica, homosexuality, image, jan brown, kobena mercer, kreuzberg, latin america, leninist, libya, male, marxist, marxist-leninist, mohammed al gadafy, nazi, new york, normalisation, obsession, our own freedom, pathologisation of black culture, perfect body, policing, pornography, positive image, power, race relations, representation, resistance, robert mapplethorpe, roland barthes, sexual violence, sexualised, sexuality, slavery, socialised, squatting, surplus knowledge, the arbeiter-illustrierte-zeitung, third effect, third reich, tony benn, wavaw, werner al orlowsky, women, women against violence against women, workers illustrated newspaper
0000023_Camerawork_Magazine_Issue22_1981_cover.jpg
Magazine

Camerawork Magazine - Issue 22

Issue 22: Women and Documentary Photography in Northern Ireland
airport, airport opposition league, archives, arrest, arts and action project
airport, airport opposition league, archives, arrest, arts and action project, arts council, black organisation, british army, censorship, children, civil rights, civil war, conflict, confrontation, control, danish women’s photographic archive, demonstration, deptford, displacement, documentary photography, el salvador, eyeopeners, farmers, fire, government, history, image, language, learning, liberation, media, murder, narita, northern ireland, occupation, opposition, photography working party, photojournalism, pinhole, police, policing photography, power, power and photography, press, press freedom, protest, racism, representation, repression, resistance, sanrizuka airport, sato, schools, state control, struggle, teachers, teaching, teenagers, text, trade union, using photography, war, women, women’s movement, words, workshop, young people
0000018_Camerawork_Magazine_Issue17_1980_cover.jpg
Magazine

Camerawork Magazine - Issue 17

Issue 17: The fashion Spread, Blair Peach-No Cover Up, Matchgirls' Strike-Labour History Musuem, ...
1880, activism, advertising, anti-racism, blair peach
1880, activism, advertising, anti-racism, blair peach, bryant & may, capitalism, cliches, commercial photography, community, conservative, copyright, court, deborah turbeville, demonstation, demonstration, depression, do it yourself, economic policy, environment, fashion, fashion industry, female gaze, friends of blair peach committee, guy bourdin, helmut newton, inquest, intellectual property, intervention, labour history, law, male gaze, match-girls, matchbox, mechanical reproduction, media representation, national museum of labour history, nuclear, nuclear power station, nuclear waste, peter kennard, photography/politics, pinhole, police, police brutality, political statement, postcards, printer, privacy, property, protest, racial tension, radioactive waste, representations of women, rights, social reform, stereotypes, strike, teds, union, unionisation, vogue, walkerprint, who killed blair peach? police racism, windscale, windscale inquiry
0000020_Camerawork_Magazine_Issue19_1980_cover.jpg
Magazine

Camerawork Magazine - Issue 19

Issue 19: State of the Nation - E.P.Thompson, Photomontages by Peter Kennard, Edith Tudor-Hart - ...
1930s, anthropology, apartheid, arts & action, arts council
1930s, anthropology, apartheid, arts & action, arts council, blair peach, boycott, civil liberty, colonialism, community arts, context, cruise missile, cultural imperialism, dictatorship, geographical magazine, haywain, hayward gallery, historical interpretation, history, human rights, interpretation, jo spence, lilliput, margaret thatcher, marxist, meaning, mechanical reproduction, namibia, nato, observers of man, perspective, photography history, photomontage, police, police brutality, policie enquiry, political, representation, representation of women, rhondda valley, social role of women, stamp, surveillance, three perspectives on photography, women, women workers, workers' camera club, workers' film and photo league, working class wives, working in the 30's
0000015_Camerawork_Magazine_Issue14_1979_cover.jpg
Magazine

Camerawork Magazine - Issue 14

Issue 14: Reporting on Northern Ireland. Special Issue
1916 easter rising, amnesty international, army computers, army intelligence photography, bloody sunday massacre
1916 easter rising, amnesty international, army computers, army intelligence photography, bloody sunday massacre, bo bojesen, british army, british empire, british media, british press, buzz logan, castlereagh holding centre, catholic communities, censorship, child poverty, chris steele-perkins, colin jones, daily express, daily mail, daily mirror, dhss, history of ireland, housing, industrial development, infrastructure, internment, ira, ira funerals, john z delorean, long kesh prison, mass surveillance, mcgurk's bar bombing 1971, northern ireland peace movement, orange movement, paramilitary organisations, peace rally 1976, peter kennard, photo-journalism, police surveillance, police violence, raissa page, republicans, roy mason, ruc, sectarian violence, sinn fein, snatch squads, social work today, special branch, steve chibnall, sunday times, syd shelton, the observer, the troubles, tom atkins, tony benn, ulster defence regiment, unemployment, unionists, upi, visor magazine, workers' research unit
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