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Archive

207 results


All; keyword:Jeff Perks. Joanna Davis
Sort By: Name, Origination Date, Date Added
0002019_Still_Cinema in East London.jpg
Film

Cinema in East London

This is a tape/slide programme made by Wilf Thust, Ron Peck, Joanna Davis, Mary Pat Leece and Pau...
architecture, cinemas, east end, films, history
architecture, cinemas, east end, films, history, watching films
0002018_Still_Railman.jpg
Film

Railman - Joanna Davis, Mary Pat Leece, Ronald ...

Set against the backdrop of state divestment in transport infrastructure, Railman documents the d...
aslef, daily life, job, nur, parcels
aslef, daily life, job, nur, parcels, pay, railways, routine, station, tickets
0001995_FourCorners_Document_MaryPatLeece_LetterBredAndBorn_1980_1981_01.jpg
Document

Organisational - Four Corners

Typed letter from Mary-Pat Leece to Jo Davis about various funding and mangement issues at Four C...
funding proposal
funding proposal
0001901_Camerawork_ArtsCouncil_Ltr_DKeys_JDrew_1983_page01.jpg
Document

Organisational - Half Moon Photography Workshop...

Letter to Joanna Drew Director of Arts Council from Deborah Keys
arts council letter
arts council letter
0000030_Camerawork_Magazine_Issue30_1984_cover.jpg
Magazine

Camerawork Magazine - Issue 30

Issue 30: Black Culture, Pictures of women, Beyond the Pleasure Principle, Pop Videos, Images of War
act of looking, advertising, american, anthropology, appropriation
act of looking, advertising, american, anthropology, appropriation, archive, art in the age of the mass media, arts and action, auca, berlin, black, body, cable, cable development, captions, channel 4, civil war, collection, community, conflict, culture, darkroom, david hockney, desire, discourse, diy, drawing, el salvadorian film institute, elizabeth elliot, ethnography, exhibition, exhibition texts, fact, falklands, feminist, film, hayward gallery, heroism, hierarchy, history, hockney at the hayward, imperial war museum, independent film, independent video, indians, institute of contemporary art, loli galvar, love, mapplethorpe at the ica, media, mtv, music video, narrative, national identity, native, painting, patriarchy, photography, photomontage, pictures of women, pleasure principle, political, postcard, precarious masculinity, printing, promo video, promotion, promotion protecting photographs, record industry, record sales, reggae, renovation, representation, restoration, rising red star advertising agency, seminar, sexuality, sound systems, south hill park arts centre, stereotypes, still image, story, sudhost express, technology, television, television industry, text panels, the eleventh hour, the people will win, the savage my kinsman, time, video, visual perception, war, war photography, women, writing for exhibitions
0000024_Camerawork_Magazine_Issue23_1981_cover.jpg
Magazine

Camerawork Magazine - Issue 23

Issue 23: Reporting Back on Ireland
1968, anti-imperialist, bobby sands, british, british government
1968, anti-imperialist, bobby sands, british, british government, campaign, capital, catholic, civil rights, communication, conflict, coverage, crisis, direct rule 1972, distribution, economy, evidence, feminist struggles, funeral, history, housing, housing authorities, housing control, human rights, hunger strikes, imperialist, industrial decline, industry, intelligence, interview, investment, ira, ireland, irish, irish parliament, labour, liberation, loyalism, manipulation, manufacture, media, monopoly, nationalism, nationalist movement, news, northern ireland, northern ireland women’s rights group, northern irish housing executive, operation, partition, political parties, political status, pow, prisoner of war, prisoners, propaganda, property, protestant, provos, public sector, reform, report, reporting, repression, republicanism, resistance, segregation, sinn fein, sis, socialist women’s group, solidarity movement, special issue, struggle, television, terrorism, trade union, tv, unemployment, war, women, women and nationalism, women and republicanism, women’s organisations, working class, youth against oppression
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