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![0001592_HalfmoonPhotography_WorkStations_OfficeLifeInLondon_AnnaFox_Text_Acknowledgements.jpg](/files/assets/200x500/365456445.jpg)
Work Stations: Office Life In London - Anna Fox
Text acknowledgements written by Anna Harding, Camerawork![0003005_HalfmoonPhotography_Flyer_Camerawork_Edition1_1989_02.jpg](/files/assets/200x500/909320210.jpg)
Organisational - Half Moon Photography Workshop...
A flyer for Camerawork's darkroom, workshops, courses, events and exhibitions: Our Lady of the Ig...![0003010_HalfmoonPhotography_Flyer_Camerawork_Edition2_1989_02.jpg](/files/assets/200x500/826700684.jpg)
Organisational - Half Moon Photography Workshop...
A flyer for Camerawork's darkroom, workshops, courses, events and exhibitions: Bodies of Experien...![0003011_HalfmoonPhotography_Flyer_Camerawork_Edition3_1989_02.jpg](/files/assets/200x500/309787242.jpg)
Organisational - Half Moon Photography Workshop...
A flyer for Camerawork's darkroom, workshops, courses, events and exhibitions: Drum; Patners In C...![0003012_HalfmoonPhotography_Flyer_Camerawork_Edition4_1989_02.jpg](/files/assets/200x500/667142197.jpg)
Organisational - Half Moon Photography Workshop...
A flyer for Camerawork's darkroom, workshops, courses, events and exhibitions: Execation; Transat...![0003173_Still_George Plemper 1.jpg](/files/assets/200x500/959872846.jpg)
Oral History Excerpt - George Plemper
Plemper describes why he took to photographing his pupils as a young teacher.![0003174_Still_George Plemper 2.jpg](/files/assets/200x500/962493497.jpg)
Oral History Excerpt - George Plemper
Plemper explains his disillusion with teaching and his turn to photography as a series pursuit. H...![0003175_Still_George Plemper 3.jpg](/files/assets/200x500/976122155.jpg)
Oral History Excerpt - George Plemper
Plemper expands upon his approach to photographing his pupils at Riverside School, and considers ...![0003176_Still_George Plemper 4.jpg](/files/assets/200x500/697986740.jpg)
Oral History Excerpt - George Plemper
Plemper elaborates on the optimism of the 1970s. He considers the philosophy of the Half Moon Pho...![0003177_Still_Peter Kennard 1.jpg](/files/assets/200x500/569692745.jpg)
Oral History Excerpt - Peter Kennard
Kennard describes his HMPW laminated exhibition A Document on Chile![0003178_Still_Peter Kennard 2.jpg](/files/assets/200x500/442230248.jpg)
Oral History Excerpt - Peter Kennard
Kennard describes the power of Camerawork as a collective organisation that was able to operate n...![0003179_Still_Peter Kennard 3.jpg](/files/assets/200x500/992862576.jpg)
Oral History Excerpt - Peter Kennard
Kennard describes how his photomontage work was accepted within Camerawork / HMPW, despite this s...![0003180_Still_Peter Kennard 4.jpg](/files/assets/200x500/594901963.jpg)
Oral History Excerpt - Peter Kennard
Kennard describes the article that he produced for Camerawork magazine entitled State of the Nati...![0003181_Still_Peter Kennard 5.jpg](/files/assets/200x500/172741632.jpg)
Oral History Excerpt - Peter Kennard
Kennard describes his friendship with Ed Barber and how the idea of laminating the HMPW exhibitio...![0003191_Still_Chris Steele-Perkins 1.jpg](/files/assets/200x500/781288970.jpg)
Oral History Excerpt - Chris Steele-Perkins
Steele-Perkins remembers the 1980s as a time when it was much easier to make money working as a p...![0003192_Still_Chris Steele-Perkins 2.jpg](/files/assets/200x500/756547544.jpg)