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Archive

29 results


All; keyword:Jill Pack
Sort By: Name, Origination Date, Date Added
0000898_HalfmoonCamerawork__Booklet_IleaContact_2Dec83_page04.jpg
Booklet

Guatemala: A Testimonial - Susan Meiselas

Inner London Education Authority's magazine December 1983 with a brief mention of the exhibition ...
guatemala, press
guatemala, press
0000030_Camerawork_Magazine_Issue30_1984_cover.jpg
Audio

Oral History Excerpt - Jill Pack

Pack reflects on an initiative with group of women who were published in Camerawork and later rep...
camerawork, camerawork magazine, feminism, jill pack, women
camerawork, camerawork magazine, feminism, jill pack, women, women photographers, women writers
0002988_HalfmoonPhotography_Flyer_Camerawork_Apr_May_June_1988_page01.jpg
Flyer

Organisational - Half Moon Photography Workshop...

A flyer for Camerawork's darkroom, workshops, courses, events and exhibitions: Photopanels, The d...
camerawork, courses, darkrooms, events, exhibition
camerawork, courses, darkrooms, events, exhibition, gallery, talks, workshops
0002003_HalfMoonCamerawork_Letter_FromJillPack_ToDataCommunication_DonationRequest_page01.jpg
Document

Organisational - Half Moon Photography Workshop...

Letter from Jill Pack to P Hunter, Director of Data Communication, requesting donation of address...
letter
letter
0002002_HalfMoonCamerawork_Letter_FromJillPack_ToStobeEquipment_DonationRequest.jpg
Document

Organisational - Half Moon Photography Workshop...

Letter from Jill Pack to Strobe Equipment asking for second hand equipment donations for photogra...
letter
letter
0000032_Camerawork_Magazine_Issue31_1985_front.jpg
Magazine

Camerawork Magazine - Issue 31

Issue 31:Food: Images and Politics
1984, a few hotheads, advertising, agriculture, archive
1984, a few hotheads, advertising, agriculture, archive, black audio film collective, body image, campaign, coal, colonial legacy, colonialism, colonies, community, consumption, control, desire, distribution, domination, easington, empire, ethnic, factory, farming, federation of community photography, fleet street, food, french, fruit preservers, guilt, gwent collage of higher education, history, import, indian, industrial dispute, industry, international women’s day, lipton, meat, middlesex, mining, naughty but nice, newport museum and art gallery, newport survey, orwell, packaging, photography course, photomontage, pleasure, political struggle, postcards, posters, preserves, production, racism, rural life, sexual violence, sexuality, signs of empire and images of nationality, slaughterhouse, socialist, sprouts, street market, strike, students, sugar, supermarket, tea, the commodities project, tondu photo workshop, tradition, vegetarian, weight, west midlands arts, women, women workers, working class, workshop, world
0000030_Camerawork_Magazine_Issue30_1984_cover.jpg
Magazine

Camerawork Magazine - Issue 30

Issue 30: Black Culture, Pictures of women, Beyond the Pleasure Principle, Pop Videos, Images of War
act of looking, advertising, american, anthropology, appropriation
act of looking, advertising, american, anthropology, appropriation, archive, art in the age of the mass media, arts and action, auca, berlin, black, body, cable, cable development, captions, channel 4, civil war, collection, community, conflict, culture, darkroom, david hockney, desire, discourse, diy, drawing, el salvadorian film institute, elizabeth elliot, ethnography, exhibition, exhibition texts, fact, falklands, feminist, film, hayward gallery, heroism, hierarchy, history, hockney at the hayward, imperial war museum, independent film, independent video, indians, institute of contemporary art, loli galvar, love, mapplethorpe at the ica, media, mtv, music video, narrative, national identity, native, painting, patriarchy, photography, photomontage, pictures of women, pleasure principle, political, postcard, precarious masculinity, printing, promo video, promotion, promotion protecting photographs, record industry, record sales, reggae, renovation, representation, restoration, rising red star advertising agency, seminar, sexuality, sound systems, south hill park arts centre, stereotypes, still image, story, sudhost express, technology, television, television industry, text panels, the eleventh hour, the people will win, the savage my kinsman, time, video, visual perception, war, war photography, women, writing for exhibitions
0000029_Camerawork_Magazine_Issue29_1983_cover.jpg
Magazine

Camerawork Magazine - Issue 29

Issue 29: Images of the Left, McClaren on Cable, Photomontage, Stuart Hall, Video
1981, advertising, album covers, alternative, atrocity
1981, advertising, album covers, alternative, atrocity, band, beirut, beta, branding, broadcast, cable, campaign, colin roach, committing photography, community activism, community arts, community practice, conflict, constraints, darkroom, documentary, documentary realism, east london media forum, economic recession, edinburgh television festival, entertainment, exit photography group, factory records, fashion, female representation, film, format, funding, genocide, graphic design, ideology, inner cities, interview, interviews, invasion, isaac julien, israel, labour, labour party, lebanon, left, london video arts, malcolm mclauren, milton keynes, montage, mtv, music, nam june paik, network, new media, new order, photographing television, photojournalism, picture agency, political photograph, pop, popular, poverty, press, promotion, record industry, record sleeve, rentasnap, rio cinema, riots, self-portrait, simulation, slide, socialism, socialist realism, stuart hall, studio, style, survival programmes, taking tv pictures, tape/slide, television, the photo co-op, vhs, video, video art, video distribution, video exhibition, war, women’s photography, working class, youth vote, zionism
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