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111 results
![0003173_Still_George Plemper 1.jpg](/files/assets/200x500/959872846.jpg)
Oral History Excerpt - George Plemper
Plemper describes why he took to photographing his pupils as a young teacher.![0003174_Still_George Plemper 2.jpg](/files/assets/200x500/962493497.jpg)
Oral History Excerpt - George Plemper
Plemper explains his disillusion with teaching and his turn to photography as a series pursuit. H...![0003175_Still_George Plemper 3.jpg](/files/assets/200x500/976122155.jpg)
Oral History Excerpt - George Plemper
Plemper expands upon his approach to photographing his pupils at Riverside School, and considers ...![0003176_Still_George Plemper 4.jpg](/files/assets/200x500/697986740.jpg)
Oral History Excerpt - George Plemper
Plemper elaborates on the optimism of the 1970s. He considers the philosophy of the Half Moon Pho...![0003177_Still_Peter Kennard 1.jpg](/files/assets/200x500/569692745.jpg)
Oral History Excerpt - Peter Kennard
Kennard describes his HMPW laminated exhibition A Document on Chile![0003178_Still_Peter Kennard 2.jpg](/files/assets/200x500/442230248.jpg)
Oral History Excerpt - Peter Kennard
Kennard describes the power of Camerawork as a collective organisation that was able to operate n...![0003179_Still_Peter Kennard 3.jpg](/files/assets/200x500/992862576.jpg)
Oral History Excerpt - Peter Kennard
Kennard describes how his photomontage work was accepted within Camerawork / HMPW, despite this s...![0003180_Still_Peter Kennard 4.jpg](/files/assets/200x500/594901963.jpg)
Oral History Excerpt - Peter Kennard
Kennard describes the article that he produced for Camerawork magazine entitled State of the Nati...![0003181_Still_Peter Kennard 5.jpg](/files/assets/200x500/172741632.jpg)
Oral History Excerpt - Peter Kennard
Kennard describes his friendship with Ed Barber and how the idea of laminating the HMPW exhibitio...![0003191_Still_Chris Steele-Perkins 1.jpg](/files/assets/200x500/781288970.jpg)
Oral History Excerpt - Chris Steele-Perkins
Steele-Perkins remembers the 1980s as a time when it was much easier to make money working as a p...![0003192_Still_Chris Steele-Perkins 2.jpg](/files/assets/200x500/756547544.jpg)
Oral History Excerpt - Chris Steele-Perkins
Steele-Perkins describes how he became involved in the project Survival Programmes with Paul Trev...![0003754_Still_Val Wilmer 1.jpg](/files/assets/200x500/551328861.jpg)
Oral History Excerpt - Val Wilmer
Wilmer talks about the two events in her life which influenced her to start using photography.![0003755_Still_Val Wilmer.jpg](/files/assets/200x500/152795208.jpg)
Oral History Excerpt - Val Wilmer
Wilmer describes one of her jobs in the darkroom at National Gallery and then moving on to Tropic...![0003756_Still_Val Wilmer](/files/assets/200x500/334543952.jpg)
Oral History Excerpt - Val Wilmer
Wilmer talks about her travels to USA and how feminism and racial discrimination were part of her...![0003756_Still_Val Wilmer](/files/assets/200x500/334543952.jpg)
Oral History Excerpt - Val Wilmer
Wilmer discusses how she got her first major exhibition at the V&A in 1972.![0000041_HalfMoonCamerawork_Poster_Women A photographic Exhibition.jpg](/files/assets/200x500/286401622.jpg)
Oral History Excerpt - Julia Meadows
Meadows explains how she became involved with the Half Moon Gallery (later Half Moon Photography ...![0000041_HalfMoonCamerawork_Poster_Women A photographic Exhibition.jpg](/files/assets/200x500/286401622.jpg)
Oral History Excerpt - Val Wilmer
Wilmer describes the success of her first major exhibition at the V&A, her work for the Times as ...![0000036_HalfMoonCamerawork_Poster_Bedford St.Liverpool 8.jpg](/files/assets/200x500/717989639.jpg)
Oral History Excerpt - Julia Meadows
Meadows describes some of the early exhibitions at Half Moon Gallery (later Half Moon Photography...![0000034_HalfMoonCamerawork_Poster_derbyday.jpg](/files/assets/200x500/538402777.jpg)