Camerawork Magazine - Issue 07
Issue 7: Viva, Don McCullin and Philip Jones Griffiths, The Unpolitical Photograph?, Paris in the...'paris de nuit', 1930s, advertising, alain garnier, audience, bill brandt, brassai, capitalism, crime, criminal underworld, david seymour, don mccullin, economic depression, fascism, general strike, hardy, herve gloaguen, magnum, martine franck, marxism, mass media, philip jones griffiths, photography book, photojournalism, prostitutes, prostitution, publishers, robert capa, robert golden, roger mayne, self-publishing, side gallery, vietnam war, viva, war photography, yves joanmougin
Camerawork Magazine - Issue 12
Issue 12: Portraits'public' vs. 'private' photography, 19th century photography, album photography, amateur, archetypes
'public' vs. 'private' photography, 19th century photography, album photography, amateur, archetypes, art photography, cabinet photo, calotypes, carte-de-visite, celebrity, commodification of sex, commodity, daguerrotype, david bowie, democratisation of photography, documentary, dolls, drug culture, early commercial photography, early studio portrait photography, environmental portraits, experiences of sitters, fame, families, family albums, fashion photography, glamour, holiday photos, hollywood, homelessness, housing, individuality, Memory, mothers, national campaign for the homeless, objectification, paparazzi, photo-portrait, pictorialism, pin-up, pop art, pornography, portrait, portrait photography, portrait photography vs paintings, portraits of musicians, portraiture, poverty, prostitutes, prostitution, publicity, punk, record industry, rembrandt, second sight, self-portrait, shelter, snapshots, star system, stereograph, storyville portraits, studio portrait photography, subculture, the nude, weegee, women photographers