Camerawork Magazine - Issue 26
Issue 26: Models of Vision/New Technologiesafterimage, appropriation, avant-garde, bias, bourgeoisie, broadcast, capitalism, channel 4, circulation, colonialism, commodity, computer, constructed, consumption, control, coverage, culture, digital, disc, distribution, documentary, enlightenment, feminism, future, grand tour, graphics, history, identity, ideology, image, knowledge, looking, mafia, manipulation, maps, marx, mass consumption, mavica, mavigraph, meaning, media, narratives, nazis, new objectivity, new technology, nicaragua, ownership, perspective, philosophy, photography and capitalism, pirate radio, positivism, press, process, production, psychoanalysis, reading, reality, referent, representation, reproduction, revolution, science fiction, seeing, signification, signs, situationist, social documentary, spectacle, surrealism, system, technology, television, text, time, truth, video, vision, warfare, women
Camerawork Magazine - Issue 19
Issue 19: State of the Nation - E.P.Thompson, Photomontages by Peter Kennard, Edith Tudor-Hart - ...1930s, anthropology, apartheid, arts & action, arts council, blair peach, boycott, civil liberty, colonialism, community arts, context, cruise missile, cultural imperialism, dictatorship, geographical magazine, haywain, hayward gallery, historical interpretation, history, human rights, interpretation, jo spence, lilliput, margaret thatcher, marxist, meaning, mechanical reproduction, namibia, nato, observers of man, perspective, photography history, photomontage, police, police brutality, policie enquiry, political, representation, representation of women, rhondda valley, social role of women, stamp, surveillance, three perspectives on photography, women, women workers, workers' camera club, workers' film and photo league, working class wives, working in the 30's
Camerawork Magazine - Issue 30
Issue 30: Black Culture, Pictures of women, Beyond the Pleasure Principle, Pop Videos, Images of Waract of looking, advertising, american, anthropology, appropriation, archive, art in the age of the mass media, arts and action, auca, berlin, black, body, cable, cable development, captions, channel 4, civil war, collection, community, conflict, culture, darkroom, david hockney, desire, discourse, diy, drawing, el salvadorian film institute, elizabeth elliot, ethnography, exhibition, exhibition texts, fact, falklands, feminist, film, hayward gallery, heroism, hierarchy, history, hockney at the hayward, imperial war museum, independent film, independent video, indians, institute of contemporary art, loli galvar, love, mapplethorpe at the ica, media, mtv, music video, narrative, national identity, native, painting, patriarchy, photography, photomontage, pictures of women, pleasure principle, political, postcard, precarious masculinity, printing, promo video, promotion, promotion protecting photographs, record industry, record sales, reggae, renovation, representation, restoration, rising red star advertising agency, seminar, sexuality, sound systems, south hill park arts centre, stereotypes, still image, story, sudhost express, technology, television, television industry, text panels, the eleventh hour, the people will win, the savage my kinsman, time, video, visual perception, war, war photography, women, writing for exhibitions