Camerawork Magazine - Issue 07
Issue 7: Viva, Don McCullin and Philip Jones Griffiths, The Unpolitical Photograph?, Paris in the...'paris de nuit', 1930s, advertising, alain garnier, audience, bill brandt, brassai, capitalism, crime, criminal underworld, david seymour, don mccullin, economic depression, fascism, general strike, hardy, herve gloaguen, magnum, martine franck, marxism, mass media, philip jones griffiths, photography book, photojournalism, prostitutes, prostitution, publishers, robert capa, robert golden, roger mayne, self-publishing, side gallery, vietnam war, viva, war photography, yves joanmougin
Camerawork Magazine - Issue 10
Issue 10: John Berger Jean Mohr Bill Jay Letter. Danny Lyon Interviewed. D.I.Y. Exhibitions'a seventh man', 'on photography', 'the family of man', 1973 coup, allende, alternative technology, attica rebellion, bikers, bill jay, black british, capitalism, captions, civil rights movement, class stereotypes, colonialism, copper industry, decline of photography, developing world, development of photography, documentary, economics of photography vs. film, editing, english psyche, exhibition captions, from photography to film, international labour office, lung disease, magnum, maternity, migrant workers, mining communities, oral history, photo-book, photography and memory, photography criticism, photomontage, pin-ups, play environments, political prisoners, pornography, post-colonialism, private vs. public photography, propaganda, publishing, racial discrimination, steel works, third world, touring exhibitions, trade unions, un, universality, us prisons, women workers, working children, workplace deaths, world health organisation
Camerawork Magazine - Issue 24
Issue 24: Photography and Graphic Design1981, advertising, britain, charity, collage, collective, colonisation, control, cultural, elderly, empire, erotica, exploitation, feminist, feminist design, global issues, graphic design, hot pink heart graphics, identity, ideology, imperialism, india, interpretation, isolation, labour, liberation, magazine, mass production, Memory, montage, objectification, patriarchy, photography, photoworld exhibition, politics, pornography, positive, poster, poster film collective, poverty, print, printshop, propaganda, publicity, radical, recall, reminiscing, representation, reproduction, sexual politics, socialism, socialist, socialist worker party, spare rib, stereotypes, style, temporary hoarding, text and image, the people’s march for jobs, theory, trade unions, visual, women, women against violence against women, workers, workshop
Camerawork Magazine - Issue 25
Issue 25: Fragmentation, Sexuality and Images, Homo Erotica, Black Culture, German Montageafrican women, afro caribbean, aiz photojournal, arthur tress, black culture, black male, buchi emecherta, camera lucida, capitalism, china, codes, design, erotica, errol francis, ethnicity, feminist, feminist erotica, fetishism, fragmentation, gay, german montage, germany, herman leupold, homo erotica, homosexuality, image, jan brown, kobena mercer, kreuzberg, latin america, leninist, libya, male, marxist, marxist-leninist, mohammed al gadafy, nazi, new york, normalisation, obsession, our own freedom, pathologisation of black culture, perfect body, policing, pornography, positive image, power, race relations, representation, resistance, robert mapplethorpe, roland barthes, sexual violence, sexualised, sexuality, slavery, socialised, squatting, surplus knowledge, the arbeiter-illustrierte-zeitung, third effect, third reich, tony benn, wavaw, werner al orlowsky, women, women against violence against women, workers illustrated newspaper
Camerawork Magazine - Issue 30
Issue 30: Black Culture, Pictures of women, Beyond the Pleasure Principle, Pop Videos, Images of Waract of looking, advertising, american, anthropology, appropriation, archive, art in the age of the mass media, arts and action, auca, berlin, black, body, cable, cable development, captions, channel 4, civil war, collection, community, conflict, culture, darkroom, david hockney, desire, discourse, diy, drawing, el salvadorian film institute, elizabeth elliot, ethnography, exhibition, exhibition texts, fact, falklands, feminist, film, hayward gallery, heroism, hierarchy, history, hockney at the hayward, imperial war museum, independent film, independent video, indians, institute of contemporary art, loli galvar, love, mapplethorpe at the ica, media, mtv, music video, narrative, national identity, native, painting, patriarchy, photography, photomontage, pictures of women, pleasure principle, political, postcard, precarious masculinity, printing, promo video, promotion, promotion protecting photographs, record industry, record sales, reggae, renovation, representation, restoration, rising red star advertising agency, seminar, sexuality, sound systems, south hill park arts centre, stereotypes, still image, story, sudhost express, technology, television, television industry, text panels, the eleventh hour, the people will win, the savage my kinsman, time, video, visual perception, war, war photography, women, writing for exhibitions