Archive
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Camerawork Magazine - Issue 02
Issue 2: Doing Photography War Photojournalism Third World'doing photography', amateur photography, blackfriars settlement, blackfriars young photography group, colleges
'doing photography', amateur photography, blackfriars settlement, blackfriars young photography group, colleges, colonialism, community photography, death, developing world, documentary, imperialism, mark edwards, photo-journalism, photography archives, photography libraries, poverty, third world, violence, war
Camerawork Magazine - Issue 23
Issue 23: Reporting Back on Ireland1968, anti-imperialist, bobby sands, british, british government, campaign, capital, catholic, civil rights, communication, conflict, coverage, crisis, direct rule 1972, distribution, economy, evidence, feminist struggles, funeral, history, housing, housing authorities, housing control, human rights, hunger strikes, imperialist, industrial decline, industry, intelligence, interview, investment, ira, ireland, irish, irish parliament, labour, liberation, loyalism, manipulation, manufacture, media, monopoly, nationalism, nationalist movement, news, northern ireland, northern ireland women’s rights group, northern irish housing executive, operation, partition, political parties, political status, pow, prisoner of war, prisoners, propaganda, property, protestant, provos, public sector, reform, report, reporting, repression, republicanism, resistance, segregation, sinn fein, sis, socialist women’s group, solidarity movement, special issue, struggle, television, terrorism, trade union, tv, unemployment, war, women, women and nationalism, women and republicanism, women’s organisations, working class, youth against oppression
Camerawork Magazine - Issue 30
Issue 30: Black Culture, Pictures of women, Beyond the Pleasure Principle, Pop Videos, Images of Waract of looking, advertising, american, anthropology, appropriation, archive, art in the age of the mass media, arts and action, auca, berlin, black, body, cable, cable development, captions, channel 4, civil war, collection, community, conflict, culture, darkroom, david hockney, desire, discourse, diy, drawing, el salvadorian film institute, elizabeth elliot, ethnography, exhibition, exhibition texts, fact, falklands, feminist, film, hayward gallery, heroism, hierarchy, history, hockney at the hayward, imperial war museum, independent film, independent video, indians, institute of contemporary art, loli galvar, love, mapplethorpe at the ica, media, mtv, music video, narrative, national identity, native, painting, patriarchy, photography, photomontage, pictures of women, pleasure principle, political, postcard, precarious masculinity, printing, promo video, promotion, promotion protecting photographs, record industry, record sales, reggae, renovation, representation, restoration, rising red star advertising agency, seminar, sexuality, sound systems, south hill park arts centre, stereotypes, still image, story, sudhost express, technology, television, television industry, text panels, the eleventh hour, the people will win, the savage my kinsman, time, video, visual perception, war, war photography, women, writing for exhibitions
Camerawork Magazine - Issue 31
Issue 31:Food: Images and Politics1984, a few hotheads, advertising, agriculture, archive, black audio film collective, body image, campaign, coal, colonial legacy, colonialism, colonies, community, consumption, control, desire, distribution, domination, easington, empire, ethnic, factory, farming, federation of community photography, fleet street, food, french, fruit preservers, guilt, gwent collage of higher education, history, import, indian, industrial dispute, industry, international women’s day, lipton, meat, middlesex, mining, naughty but nice, newport museum and art gallery, newport survey, orwell, packaging, photography course, photomontage, pleasure, political struggle, postcards, posters, preserves, production, racism, rural life, sexual violence, sexuality, signs of empire and images of nationality, slaughterhouse, socialist, sprouts, street market, strike, students, sugar, supermarket, tea, the commodities project, tondu photo workshop, tradition, vegetarian, weight, west midlands arts, women, women workers, working class, workshop, world