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Archive

27 results


All; Film practice
Sort By: Name, Origination Date, Date Added
0000891_FourCorners_Poster_TwoEvenings_CinemaOfWoman.jpg
Ephemera

Two Evenings

A Four Corners Poster for Two Evenings
director, films, programme, women
director, films, programme, women
0003171_Still_Nighthawks.jpg
Audio

Oral History Excerpt - Ron Peck

Peck discussing meeting independent filmmakers and the process behind getting funding for Nightha...
bfi, film magazines, filmmaking, movie magazine, ron peck
bfi, film magazines, filmmaking, movie magazine, ron peck, screen, sight and sound, writing
0003037_FourCorners_Article_RonPeck_NighthawksReviews_01.jpg
Audio

Oral History Excerpt - Ron Peck

Peck discussing the pressure to create more ambitious and wider-ranging independent work against ...
alan fountain, arts council, bfi, channel four, filmmaking
alan fountain, arts council, bfi, channel four, filmmaking, independent, independent film, nighthawks, ron peck
0002663_FourCorners_Folder_LisRhodes_JoDavis_HangOnAMinute_1983_1985_Front.jpg
Audio

Oral History Excerpt - Lis Rhodes

Rhodes on ‘Hang on a Minute’, a collaborative project with Jo Davis.
hang on a minute, jo davis, lis rhodes
hang on a minute, jo davis, lis rhodes
0001093_HalfmoonCamerawork_Document_EvidenceInTheStreets_1984_1.jpg
Document

Evidence In The Streets

10 envelopes of poems entitled "Evidence in the streets"
inhabitant, poems, street
inhabitant, poems, street
0000032_Camerawork_Magazine_Issue31_1985_front.jpg
Magazine

Camerawork Magazine - Issue 31

Issue 31:Food: Images and Politics
1984, a few hotheads, advertising, agriculture, archive
1984, a few hotheads, advertising, agriculture, archive, black audio film collective, body image, campaign, coal, colonial legacy, colonialism, colonies, community, consumption, control, desire, distribution, domination, easington, empire, ethnic, factory, farming, federation of community photography, fleet street, food, french, fruit preservers, guilt, gwent collage of higher education, history, import, indian, industrial dispute, industry, international women’s day, lipton, meat, middlesex, mining, naughty but nice, newport museum and art gallery, newport survey, orwell, packaging, photography course, photomontage, pleasure, political struggle, postcards, posters, preserves, production, racism, rural life, sexual violence, sexuality, signs of empire and images of nationality, slaughterhouse, socialist, sprouts, street market, strike, students, sugar, supermarket, tea, the commodities project, tondu photo workshop, tradition, vegetarian, weight, west midlands arts, women, women workers, working class, workshop, world
0000030_Camerawork_Magazine_Issue30_1984_cover.jpg
Magazine

Camerawork Magazine - Issue 30

Issue 30: Black Culture, Pictures of women, Beyond the Pleasure Principle, Pop Videos, Images of War
act of looking, advertising, american, anthropology, appropriation
act of looking, advertising, american, anthropology, appropriation, archive, art in the age of the mass media, arts and action, auca, berlin, black, body, cable, cable development, captions, channel 4, civil war, collection, community, conflict, culture, darkroom, david hockney, desire, discourse, diy, drawing, el salvadorian film institute, elizabeth elliot, ethnography, exhibition, exhibition texts, fact, falklands, feminist, film, hayward gallery, heroism, hierarchy, history, hockney at the hayward, imperial war museum, independent film, independent video, indians, institute of contemporary art, loli galvar, love, mapplethorpe at the ica, media, mtv, music video, narrative, national identity, native, painting, patriarchy, photography, photomontage, pictures of women, pleasure principle, political, postcard, precarious masculinity, printing, promo video, promotion, promotion protecting photographs, record industry, record sales, reggae, renovation, representation, restoration, rising red star advertising agency, seminar, sexuality, sound systems, south hill park arts centre, stereotypes, still image, story, sudhost express, technology, television, television industry, text panels, the eleventh hour, the people will win, the savage my kinsman, time, video, visual perception, war, war photography, women, writing for exhibitions
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