Camerawork Magazine - Issue 06
Issue 6: John Berger, Steve Hoare, Tom Picton, Nick Hedges, Roger Mayne, Jo Spence, John Tagg'working lives', alternative technology, amateur, art photography, capitalism, centreprise publishing project, children's photography, class, commercial photography, curriculum, depth of focus, documentary, ethnography, factories, half moon photography workshop educational collective, industrial, marxism, mass reproduction, neo-realism, nude, objectification, paul strand, photography as evidence, picture post magazine, pinhole, portrait photography, printing, robert golden, roger mayne, routine, social realism, viewpoint, work, workers' educational association
Camerawork Magazine - Issue 08
Issue 8: Lewisham: What are you taking pictures for?battle of lewisham, chris schwarz, chris steele-perkins, church of england, daily mail, fascism, homer sykes, mass media, media bias, national front, national front march, newspapers, paul trevor, peter marlow, phil mccowen, photo agencies, police, police treatment of photographers, police violence, protest photography, racism, ray rising, socialist workers party, sygma, tabloid journalism, tabloids, viva
Camerawork Magazine - Issue 09
Issue 9: The Picture Storyamerican press, artist in residence, audience, bacon-curing, black workers, boxing day, british army, community artist, cotton industry, criminal trespass law, eviction, family, farming, free photographic omnibus project, housing, ira, life magazine, magnum, meat industry, Memory, north sea oil rigs, northern irish conflict, objectivity, photo-diary, photo-journalism, photo-magazines, photography students, pig farming, pr, propaganda, squatting, textile industry, the picture story, the troubles, trade unions, wandsworth, war photography, workers
Camerawork Magazine - Issue 24
Issue 24: Photography and Graphic Design1981, advertising, britain, charity, collage, collective, colonisation, control, cultural, elderly, empire, erotica, exploitation, feminist, feminist design, global issues, graphic design, hot pink heart graphics, identity, ideology, imperialism, india, interpretation, isolation, labour, liberation, magazine, mass production, Memory, montage, objectification, patriarchy, photography, photoworld exhibition, politics, pornography, positive, poster, poster film collective, poverty, print, printshop, propaganda, publicity, radical, recall, reminiscing, representation, reproduction, sexual politics, socialism, socialist, socialist worker party, spare rib, stereotypes, style, temporary hoarding, text and image, the people’s march for jobs, theory, trade unions, visual, women, women against violence against women, workers, workshop
Camerawork Magazine - Issue 25
Issue 25: Fragmentation, Sexuality and Images, Homo Erotica, Black Culture, German Montageafrican women, afro caribbean, aiz photojournal, arthur tress, black culture, black male, buchi emecherta, camera lucida, capitalism, china, codes, design, erotica, errol francis, ethnicity, feminist, feminist erotica, fetishism, fragmentation, gay, german montage, germany, herman leupold, homo erotica, homosexuality, image, jan brown, kobena mercer, kreuzberg, latin america, leninist, libya, male, marxist, marxist-leninist, mohammed al gadafy, nazi, new york, normalisation, obsession, our own freedom, pathologisation of black culture, perfect body, policing, pornography, positive image, power, race relations, representation, resistance, robert mapplethorpe, roland barthes, sexual violence, sexualised, sexuality, slavery, socialised, squatting, surplus knowledge, the arbeiter-illustrierte-zeitung, third effect, third reich, tony benn, wavaw, werner al orlowsky, women, women against violence against women, workers illustrated newspaper
Camerawork Magazine - Issue 26
Issue 26: Models of Vision/New Technologiesafterimage, appropriation, avant-garde, bias, bourgeoisie, broadcast, capitalism, channel 4, circulation, colonialism, commodity, computer, constructed, consumption, control, coverage, culture, digital, disc, distribution, documentary, enlightenment, feminism, future, grand tour, graphics, history, identity, ideology, image, knowledge, looking, mafia, manipulation, maps, marx, mass consumption, mavica, mavigraph, meaning, media, narratives, nazis, new objectivity, new technology, nicaragua, ownership, perspective, philosophy, photography and capitalism, pirate radio, positivism, press, process, production, psychoanalysis, reading, reality, referent, representation, reproduction, revolution, science fiction, seeing, signification, signs, situationist, social documentary, spectacle, surrealism, system, technology, television, text, time, truth, video, vision, warfare, women
Camerawork Magazine - Issue 30
Issue 30: Black Culture, Pictures of women, Beyond the Pleasure Principle, Pop Videos, Images of Waract of looking, advertising, american, anthropology, appropriation, archive, art in the age of the mass media, arts and action, auca, berlin, black, body, cable, cable development, captions, channel 4, civil war, collection, community, conflict, culture, darkroom, david hockney, desire, discourse, diy, drawing, el salvadorian film institute, elizabeth elliot, ethnography, exhibition, exhibition texts, fact, falklands, feminist, film, hayward gallery, heroism, hierarchy, history, hockney at the hayward, imperial war museum, independent film, independent video, indians, institute of contemporary art, loli galvar, love, mapplethorpe at the ica, media, mtv, music video, narrative, national identity, native, painting, patriarchy, photography, photomontage, pictures of women, pleasure principle, political, postcard, precarious masculinity, printing, promo video, promotion, promotion protecting photographs, record industry, record sales, reggae, renovation, representation, restoration, rising red star advertising agency, seminar, sexuality, sound systems, south hill park arts centre, stereotypes, still image, story, sudhost express, technology, television, television industry, text panels, the eleventh hour, the people will win, the savage my kinsman, time, video, visual perception, war, war photography, women, writing for exhibitions