Archive
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Camerawork Magazine - Issue 15
Issue 15: Images of the Disableda kind of life, advertising, adverts, angela kelly, being disabled, benson & hedges, cameroon, cigarettes, clydeside, congo, de-coding advertising, deconstruction of media, fantasy, fees for freelancers, helvard kjaervik, humour, jumble sale, labour, larry herman, limelight, lunn gallery, media representation, photographers' gallery, photographic collecting, self-image, shipbuilding, shipyards, v&a, west africa, woman's identity
Camerawork Magazine - Issue 17
Issue 17: The fashion Spread, Blair Peach-No Cover Up, Matchgirls' Strike-Labour History Musuem, ...1880, activism, advertising, anti-racism, blair peach, bryant & may, capitalism, cliches, commercial photography, community, conservative, copyright, court, deborah turbeville, demonstation, demonstration, depression, do it yourself, economic policy, environment, fashion, fashion industry, female gaze, friends of blair peach committee, guy bourdin, helmut newton, inquest, intellectual property, intervention, labour history, law, male gaze, match-girls, matchbox, mechanical reproduction, media representation, national museum of labour history, nuclear, nuclear power station, nuclear waste, peter kennard, photography/politics, pinhole, police, police brutality, political statement, postcards, printer, privacy, property, protest, racial tension, radioactive waste, representations of women, rights, social reform, stereotypes, strike, teds, union, unionisation, vogue, walkerprint, who killed blair peach? police racism, windscale, windscale inquiry
Camerawork Magazine - Issue 23
Issue 23: Reporting Back on Ireland1968, anti-imperialist, bobby sands, british, british government, campaign, capital, catholic, civil rights, communication, conflict, coverage, crisis, direct rule 1972, distribution, economy, evidence, feminist struggles, funeral, history, housing, housing authorities, housing control, human rights, hunger strikes, imperialist, industrial decline, industry, intelligence, interview, investment, ira, ireland, irish, irish parliament, labour, liberation, loyalism, manipulation, manufacture, media, monopoly, nationalism, nationalist movement, news, northern ireland, northern ireland women’s rights group, northern irish housing executive, operation, partition, political parties, political status, pow, prisoner of war, prisoners, propaganda, property, protestant, provos, public sector, reform, report, reporting, repression, republicanism, resistance, segregation, sinn fein, sis, socialist women’s group, solidarity movement, special issue, struggle, television, terrorism, trade union, tv, unemployment, war, women, women and nationalism, women and republicanism, women’s organisations, working class, youth against oppression
Camerawork Magazine - Issue 25
Issue 25: Fragmentation, Sexuality and Images, Homo Erotica, Black Culture, German Montageafrican women, afro caribbean, aiz photojournal, arthur tress, black culture, black male, buchi emecherta, camera lucida, capitalism, china, codes, design, erotica, errol francis, ethnicity, feminist, feminist erotica, fetishism, fragmentation, gay, german montage, germany, herman leupold, homo erotica, homosexuality, image, jan brown, kobena mercer, kreuzberg, latin america, leninist, libya, male, marxist, marxist-leninist, mohammed al gadafy, nazi, new york, normalisation, obsession, our own freedom, pathologisation of black culture, perfect body, policing, pornography, positive image, power, race relations, representation, resistance, robert mapplethorpe, roland barthes, sexual violence, sexualised, sexuality, slavery, socialised, squatting, surplus knowledge, the arbeiter-illustrierte-zeitung, third effect, third reich, tony benn, wavaw, werner al orlowsky, women, women against violence against women, workers illustrated newspaper
Camerawork Magazine - Issue 29
Issue 29: Images of the Left, McClaren on Cable, Photomontage, Stuart Hall, Video1981, advertising, album covers, alternative, atrocity, band, beirut, beta, branding, broadcast, cable, campaign, colin roach, committing photography, community activism, community arts, community practice, conflict, constraints, darkroom, documentary, documentary realism, east london media forum, economic recession, edinburgh television festival, entertainment, exit photography group, factory records, fashion, female representation, film, format, funding, genocide, graphic design, ideology, inner cities, interview, interviews, invasion, isaac julien, israel, labour, labour party, lebanon, left, london video arts, malcolm mclauren, milton keynes, montage, mtv, music, nam june paik, network, new media, new order, photographing television, photojournalism, picture agency, political photograph, pop, popular, poverty, press, promotion, record industry, record sleeve, rentasnap, rio cinema, riots, self-portrait, simulation, slide, socialism, socialist realism, stuart hall, studio, style, survival programmes, taking tv pictures, tape/slide, television, the photo co-op, vhs, video, video art, video distribution, video exhibition, war, women’s photography, working class, youth vote, zionism