Archive
25 results
Camerawork Magazine - Issue 07
Issue 7: Viva, Don McCullin and Philip Jones Griffiths, The Unpolitical Photograph?, Paris in the...'paris de nuit', 1930s, advertising, alain garnier, audience, bill brandt, brassai, capitalism, crime, criminal underworld, david seymour, don mccullin, economic depression, fascism, general strike, hardy, herve gloaguen, magnum, martine franck, marxism, mass media, philip jones griffiths, photography book, photojournalism, prostitutes, prostitution, publishers, robert capa, robert golden, roger mayne, self-publishing, side gallery, vietnam war, viva, war photography, yves joanmougin
Camerawork Magazine - Issue 10
Issue 10: John Berger Jean Mohr Bill Jay Letter. Danny Lyon Interviewed. D.I.Y. Exhibitions'a seventh man', 'on photography', 'the family of man', 1973 coup, allende, alternative technology, attica rebellion, bikers, bill jay, black british, capitalism, captions, civil rights movement, class stereotypes, colonialism, copper industry, decline of photography, developing world, development of photography, documentary, economics of photography vs. film, editing, english psyche, exhibition captions, from photography to film, international labour office, lung disease, magnum, maternity, migrant workers, mining communities, oral history, photo-book, photography and memory, photography criticism, photomontage, pin-ups, play environments, political prisoners, pornography, post-colonialism, private vs. public photography, propaganda, publishing, racial discrimination, steel works, third world, touring exhibitions, trade unions, un, universality, us prisons, women workers, working children, workplace deaths, world health organisation
Camerawork Magazine - Issue 12
Issue 12: Portraits'public' vs. 'private' photography, 19th century photography, album photography, amateur, archetypes
'public' vs. 'private' photography, 19th century photography, album photography, amateur, archetypes, art photography, cabinet photo, calotypes, carte-de-visite, celebrity, commodification of sex, commodity, daguerrotype, david bowie, democratisation of photography, documentary, dolls, drug culture, early commercial photography, early studio portrait photography, environmental portraits, experiences of sitters, fame, families, family albums, fashion photography, glamour, holiday photos, hollywood, homelessness, housing, individuality, Memory, mothers, national campaign for the homeless, objectification, paparazzi, photo-portrait, pictorialism, pin-up, pop art, pornography, portrait, portrait photography, portrait photography vs paintings, portraits of musicians, portraiture, poverty, prostitutes, prostitution, publicity, punk, record industry, rembrandt, second sight, self-portrait, shelter, snapshots, star system, stereograph, storyville portraits, studio portrait photography, subculture, the nude, weegee, women photographers
Camerawork Magazine - Issue 29
Issue 29: Images of the Left, McClaren on Cable, Photomontage, Stuart Hall, Video1981, advertising, album covers, alternative, atrocity, band, beirut, beta, branding, broadcast, cable, campaign, colin roach, committing photography, community activism, community arts, community practice, conflict, constraints, darkroom, documentary, documentary realism, east london media forum, economic recession, edinburgh television festival, entertainment, exit photography group, factory records, fashion, female representation, film, format, funding, genocide, graphic design, ideology, inner cities, interview, interviews, invasion, isaac julien, israel, labour, labour party, lebanon, left, london video arts, malcolm mclauren, milton keynes, montage, mtv, music, nam june paik, network, new media, new order, photographing television, photojournalism, picture agency, political photograph, pop, popular, poverty, press, promotion, record industry, record sleeve, rentasnap, rio cinema, riots, self-portrait, simulation, slide, socialism, socialist realism, stuart hall, studio, style, survival programmes, taking tv pictures, tape/slide, television, the photo co-op, vhs, video, video art, video distribution, video exhibition, war, women’s photography, working class, youth vote, zionism
Camerawork Magazine - Issue 30
Issue 30: Black Culture, Pictures of women, Beyond the Pleasure Principle, Pop Videos, Images of Waract of looking, advertising, american, anthropology, appropriation, archive, art in the age of the mass media, arts and action, auca, berlin, black, body, cable, cable development, captions, channel 4, civil war, collection, community, conflict, culture, darkroom, david hockney, desire, discourse, diy, drawing, el salvadorian film institute, elizabeth elliot, ethnography, exhibition, exhibition texts, fact, falklands, feminist, film, hayward gallery, heroism, hierarchy, history, hockney at the hayward, imperial war museum, independent film, independent video, indians, institute of contemporary art, loli galvar, love, mapplethorpe at the ica, media, mtv, music video, narrative, national identity, native, painting, patriarchy, photography, photomontage, pictures of women, pleasure principle, political, postcard, precarious masculinity, printing, promo video, promotion, promotion protecting photographs, record industry, record sales, reggae, renovation, representation, restoration, rising red star advertising agency, seminar, sexuality, sound systems, south hill park arts centre, stereotypes, still image, story, sudhost express, technology, television, television industry, text panels, the eleventh hour, the people will win, the savage my kinsman, time, video, visual perception, war, war photography, women, writing for exhibitions