Camerawork Magazine - Issue 06
Issue 6: John Berger, Steve Hoare, Tom Picton, Nick Hedges, Roger Mayne, Jo Spence, John Tagg'working lives', alternative technology, amateur, art photography, capitalism, centreprise publishing project, children's photography, class, commercial photography, curriculum, depth of focus, documentary, ethnography, factories, half moon photography workshop educational collective, industrial, marxism, mass reproduction, neo-realism, nude, objectification, paul strand, photography as evidence, picture post magazine, pinhole, portrait photography, printing, robert golden, roger mayne, routine, social realism, viewpoint, work, workers' educational association
Camerawork Magazine - Issue 19
Issue 19: State of the Nation - E.P.Thompson, Photomontages by Peter Kennard, Edith Tudor-Hart - ...1930s, anthropology, apartheid, arts & action, arts council, blair peach, boycott, civil liberty, colonialism, community arts, context, cruise missile, cultural imperialism, dictatorship, geographical magazine, haywain, hayward gallery, historical interpretation, history, human rights, interpretation, jo spence, lilliput, margaret thatcher, marxist, meaning, mechanical reproduction, namibia, nato, observers of man, perspective, photography history, photomontage, police, police brutality, policie enquiry, political, representation, representation of women, rhondda valley, social role of women, stamp, surveillance, three perspectives on photography, women, women workers, workers' camera club, workers' film and photo league, working class wives, working in the 30's
Camerawork Magazine - Issue 21
Issue 21: Representing the Disabled, Gaining Momentum - Eight Women Photograph Women, Photography...access, accessibility, action, art, arts council of great britain, bethnal green hospital, birth, bootle arts and action, care, community, copyright, copyright act, cuts, disability, disabled, east london health project, family, female, feminist, festival, funding, gaining momentum, greater london arts association, handicapped, health, home, infringement, intervention, license, magubane’s south africa, merseyside arts association, motherhood, mothers, national conference of socialist photography, outsiders, photojournalism, photomontage, plagiarism, political practice, politics, representation, rights, social documentary, soweto, stereotypes, text and image, trade council, trade union, well-being, wheelchair, wives, women’s movement
Camerawork Magazine - Issue 30
Issue 30: Black Culture, Pictures of women, Beyond the Pleasure Principle, Pop Videos, Images of Waract of looking, advertising, american, anthropology, appropriation, archive, art in the age of the mass media, arts and action, auca, berlin, black, body, cable, cable development, captions, channel 4, civil war, collection, community, conflict, culture, darkroom, david hockney, desire, discourse, diy, drawing, el salvadorian film institute, elizabeth elliot, ethnography, exhibition, exhibition texts, fact, falklands, feminist, film, hayward gallery, heroism, hierarchy, history, hockney at the hayward, imperial war museum, independent film, independent video, indians, institute of contemporary art, loli galvar, love, mapplethorpe at the ica, media, mtv, music video, narrative, national identity, native, painting, patriarchy, photography, photomontage, pictures of women, pleasure principle, political, postcard, precarious masculinity, printing, promo video, promotion, promotion protecting photographs, record industry, record sales, reggae, renovation, representation, restoration, rising red star advertising agency, seminar, sexuality, sound systems, south hill park arts centre, stereotypes, still image, story, sudhost express, technology, television, television industry, text panels, the eleventh hour, the people will win, the savage my kinsman, time, video, visual perception, war, war photography, women, writing for exhibitions
Camerawork Magazine - Issue 31
Issue 31:Food: Images and Politics1984, a few hotheads, advertising, agriculture, archive, black audio film collective, body image, campaign, coal, colonial legacy, colonialism, colonies, community, consumption, control, desire, distribution, domination, easington, empire, ethnic, factory, farming, federation of community photography, fleet street, food, french, fruit preservers, guilt, gwent collage of higher education, history, import, indian, industrial dispute, industry, international women’s day, lipton, meat, middlesex, mining, naughty but nice, newport museum and art gallery, newport survey, orwell, packaging, photography course, photomontage, pleasure, political struggle, postcards, posters, preserves, production, racism, rural life, sexual violence, sexuality, signs of empire and images of nationality, slaughterhouse, socialist, sprouts, street market, strike, students, sugar, supermarket, tea, the commodities project, tondu photo workshop, tradition, vegetarian, weight, west midlands arts, women, women workers, working class, workshop, world
Camerawork Magazine - Issue 32
Issue 32: Science and Technology19th c, advertisement, american, apalachia, arts council of great britain, body, brunel, canadian, classroom, computer, conference, cultures, discipline, documentary, education, erotic, fantasies, female, foucault, gender roles, glamour, great western railway, health, history, illumination, indians, industrialisation, isolation, jo spence, kingdom, knowledge, light, maxism, model, native, nineteenth century, nude, objectivity, panopticon, photographers in education, polysnappers, post-modernism, power, press, private, progress, public, punishment, rationality, records, review of work 1950 – 85, rhetoric, role reversal, science, scientific frameworks, sculpture, semiotics, sexual identity, sexuality, steamship, stereotype, stories, surveillance, technology, television mythologies, truth, typist, underprivileged, victorian, visual display unit, wellbeing, women, word processing