Archive
29 results
Camerawork Magazine - Issue 25
Issue 25: Fragmentation, Sexuality and Images, Homo Erotica, Black Culture, German Montageafrican women, afro caribbean, aiz photojournal, arthur tress, black culture, black male, buchi emecherta, camera lucida, capitalism, china, codes, design, erotica, errol francis, ethnicity, feminist, feminist erotica, fetishism, fragmentation, gay, german montage, germany, herman leupold, homo erotica, homosexuality, image, jan brown, kobena mercer, kreuzberg, latin america, leninist, libya, male, marxist, marxist-leninist, mohammed al gadafy, nazi, new york, normalisation, obsession, our own freedom, pathologisation of black culture, perfect body, policing, pornography, positive image, power, race relations, representation, resistance, robert mapplethorpe, roland barthes, sexual violence, sexualised, sexuality, slavery, socialised, squatting, surplus knowledge, the arbeiter-illustrierte-zeitung, third effect, third reich, tony benn, wavaw, werner al orlowsky, women, women against violence against women, workers illustrated newspaper
Camerawork Magazine - Issue 26
Issue 26: Models of Vision/New Technologiesafterimage, appropriation, avant-garde, bias, bourgeoisie, broadcast, capitalism, channel 4, circulation, colonialism, commodity, computer, constructed, consumption, control, coverage, culture, digital, disc, distribution, documentary, enlightenment, feminism, future, grand tour, graphics, history, identity, ideology, image, knowledge, looking, mafia, manipulation, maps, marx, mass consumption, mavica, mavigraph, meaning, media, narratives, nazis, new objectivity, new technology, nicaragua, ownership, perspective, philosophy, photography and capitalism, pirate radio, positivism, press, process, production, psychoanalysis, reading, reality, referent, representation, reproduction, revolution, science fiction, seeing, signification, signs, situationist, social documentary, spectacle, surrealism, system, technology, television, text, time, truth, video, vision, warfare, women
Camerawork Magazine - Issue 29
Issue 29: Images of the Left, McClaren on Cable, Photomontage, Stuart Hall, Video1981, advertising, album covers, alternative, atrocity, band, beirut, beta, branding, broadcast, cable, campaign, colin roach, committing photography, community activism, community arts, community practice, conflict, constraints, darkroom, documentary, documentary realism, east london media forum, economic recession, edinburgh television festival, entertainment, exit photography group, factory records, fashion, female representation, film, format, funding, genocide, graphic design, ideology, inner cities, interview, interviews, invasion, isaac julien, israel, labour, labour party, lebanon, left, london video arts, malcolm mclauren, milton keynes, montage, mtv, music, nam june paik, network, new media, new order, photographing television, photojournalism, picture agency, political photograph, pop, popular, poverty, press, promotion, record industry, record sleeve, rentasnap, rio cinema, riots, self-portrait, simulation, slide, socialism, socialist realism, stuart hall, studio, style, survival programmes, taking tv pictures, tape/slide, television, the photo co-op, vhs, video, video art, video distribution, video exhibition, war, women’s photography, working class, youth vote, zionism
Camerawork Magazine - Issue 30
Issue 30: Black Culture, Pictures of women, Beyond the Pleasure Principle, Pop Videos, Images of Waract of looking, advertising, american, anthropology, appropriation, archive, art in the age of the mass media, arts and action, auca, berlin, black, body, cable, cable development, captions, channel 4, civil war, collection, community, conflict, culture, darkroom, david hockney, desire, discourse, diy, drawing, el salvadorian film institute, elizabeth elliot, ethnography, exhibition, exhibition texts, fact, falklands, feminist, film, hayward gallery, heroism, hierarchy, history, hockney at the hayward, imperial war museum, independent film, independent video, indians, institute of contemporary art, loli galvar, love, mapplethorpe at the ica, media, mtv, music video, narrative, national identity, native, painting, patriarchy, photography, photomontage, pictures of women, pleasure principle, political, postcard, precarious masculinity, printing, promo video, promotion, promotion protecting photographs, record industry, record sales, reggae, renovation, representation, restoration, rising red star advertising agency, seminar, sexuality, sound systems, south hill park arts centre, stereotypes, still image, story, sudhost express, technology, television, television industry, text panels, the eleventh hour, the people will win, the savage my kinsman, time, video, visual perception, war, war photography, women, writing for exhibitions
Camerawork Magazine - Issue 31
Issue 31:Food: Images and Politics1984, a few hotheads, advertising, agriculture, archive, black audio film collective, body image, campaign, coal, colonial legacy, colonialism, colonies, community, consumption, control, desire, distribution, domination, easington, empire, ethnic, factory, farming, federation of community photography, fleet street, food, french, fruit preservers, guilt, gwent collage of higher education, history, import, indian, industrial dispute, industry, international women’s day, lipton, meat, middlesex, mining, naughty but nice, newport museum and art gallery, newport survey, orwell, packaging, photography course, photomontage, pleasure, political struggle, postcards, posters, preserves, production, racism, rural life, sexual violence, sexuality, signs of empire and images of nationality, slaughterhouse, socialist, sprouts, street market, strike, students, sugar, supermarket, tea, the commodities project, tondu photo workshop, tradition, vegetarian, weight, west midlands arts, women, women workers, working class, workshop, world
