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7 results


Camerawork Magazine; keyword:Walter Benjamin
Sort By: Name, Origination Date, Date Added
0000013_Camerawork_Magazine_Issue12_1979_cover.jpg
Magazine

Camerawork Magazine - Issue 12

Issue 12: Portraits
'public' vs. 'private' photography, 19th century photography, album photography, amateur, archetypes
'public' vs. 'private' photography, 19th century photography, album photography, amateur, archetypes, art photography, cabinet photo, calotypes, carte-de-visite, celebrity, commodification of sex, commodity, daguerrotype, david bowie, democratisation of photography, documentary, dolls, drug culture, early commercial photography, early studio portrait photography, environmental portraits, experiences of sitters, fame, families, family albums, fashion photography, glamour, holiday photos, hollywood, homelessness, housing, individuality, Memory, mothers, national campaign for the homeless, objectification, paparazzi, photo-portrait, pictorialism, pin-up, pop art, pornography, portrait, portrait photography, portrait photography vs paintings, portraits of musicians, portraiture, poverty, prostitutes, prostitution, publicity, punk, record industry, rembrandt, second sight, self-portrait, shelter, snapshots, star system, stereograph, storyville portraits, studio portrait photography, subculture, the nude, weegee, women photographers
0000012_Camerawork_Magazine_Issue11_1978_cover.jpg
Magazine

Camerawork Magazine - Issue 11

Issue 11: Mass Obervation, Humphrey Spender, Nigel Henderson, The Metropolitan Police Card, Inspe...
'mass observation ltd.', 1930s, advertising, alternative technology, bolton worktown project
'mass observation ltd.', 1930s, advertising, alternative technology, bolton worktown project, british surrealism, censorship, charles madge, collage, colonialism, consensus politics, consumer research, daily mirror, documentary, espionage, federal writers' project, graffiti, graham bell, great depression, humphrey jennings, humphrey spender, john ruskin, judith henderson, julian trevylan, mass observation (m.o.), met' cards, mike abrahams, ministry of information, n.u.j., national front, nigel henderson, paul nash, pop art, poverty, processing, propaganda, pubs, richard hoggart, social anthropology, social realism, social survey, the blitz, the centre for contemporary cultural studies, the new left, tom harrisson, worktown project (bolton), ww2
0000018_Camerawork_Magazine_Issue17_1980_cover.jpg
Magazine

Camerawork Magazine - Issue 17

Issue 17: The fashion Spread, Blair Peach-No Cover Up, Matchgirls' Strike-Labour History Musuem, ...
1880, activism, advertising, anti-racism, blair peach
1880, activism, advertising, anti-racism, blair peach, bryant & may, capitalism, cliches, commercial photography, community, conservative, copyright, court, deborah turbeville, demonstation, demonstration, depression, do it yourself, economic policy, environment, fashion, fashion industry, female gaze, friends of blair peach committee, guy bourdin, helmut newton, inquest, intellectual property, intervention, labour history, law, male gaze, match-girls, matchbox, mechanical reproduction, media representation, national museum of labour history, nuclear, nuclear power station, nuclear waste, peter kennard, photography/politics, pinhole, police, police brutality, political statement, postcards, printer, privacy, property, protest, racial tension, radioactive waste, representations of women, rights, social reform, stereotypes, strike, teds, union, unionisation, vogue, walkerprint, who killed blair peach? police racism, windscale, windscale inquiry
0000030_Camerawork_Magazine_Issue30_1984_cover.jpg
Magazine

Camerawork Magazine - Issue 30

Issue 30: Black Culture, Pictures of women, Beyond the Pleasure Principle, Pop Videos, Images of War
act of looking, advertising, american, anthropology, appropriation
act of looking, advertising, american, anthropology, appropriation, archive, art in the age of the mass media, arts and action, auca, berlin, black, body, cable, cable development, captions, channel 4, civil war, collection, community, conflict, culture, darkroom, david hockney, desire, discourse, diy, drawing, el salvadorian film institute, elizabeth elliot, ethnography, exhibition, exhibition texts, fact, falklands, feminist, film, hayward gallery, heroism, hierarchy, history, hockney at the hayward, imperial war museum, independent film, independent video, indians, institute of contemporary art, loli galvar, love, mapplethorpe at the ica, media, mtv, music video, narrative, national identity, native, painting, patriarchy, photography, photomontage, pictures of women, pleasure principle, political, postcard, precarious masculinity, printing, promo video, promotion, promotion protecting photographs, record industry, record sales, reggae, renovation, representation, restoration, rising red star advertising agency, seminar, sexuality, sound systems, south hill park arts centre, stereotypes, still image, story, sudhost express, technology, television, television industry, text panels, the eleventh hour, the people will win, the savage my kinsman, time, video, visual perception, war, war photography, women, writing for exhibitions